Pedals that stack with the Strymon TimeLine

Ibanez Tube Screamer

TimeLine's clear, studio-grade delay isn't stacking gain with the Tube Screamer — it's adding digital repeats after the pedal's own boost.

Klon Centaur

Boost with the Klon before the TimeLine so its digital repeats carry a warmer, more saturated tone.

Walrus Audio Lillian

Layer the Lillian's modern, bright phase sweep after the TimeLine's own warm, studio-grade digital delay for texture on the repeats.

MXR WA38

Put the WA38's chorus and filter modulation ahead of the TimeLine's delay so the wobble gets echoed cleanly rather than blurred into the repeats.

Tru-Fi Tru-Fi Sammy Fuzz

Put Strymon TimeLine after Tru-Fi Tru-Fi Sammy Fuzz in the signal chain, clear of Tru-Fi Tru-Fi Sammy Fuzz's own gain stage

Mr. Black Thunderclaw Distortion

Keep Mr. Black Thunderclaw Distortion's bright voice out front: Strymon TimeLine goes after Mr. Black Thunderclaw Distortion in the signal chain so its pristine voice doesn't muddy it

NuX Lacerate

Keep NuX Lacerate's bright voice out front: Strymon TimeLine goes after NuX Lacerate in the signal chain so its pristine voice doesn't muddy it

Catalinbread RAH

Put the TimeLine's clear digital repeats after the RAH's balanced, Marshall-voiced drive so the delay trails a signal that's already got presence.

Catalinbread Super Chili Picoso

Strymon TimeLine's pristine voice goes after Catalinbread Super Chili Picoso in the signal chain — it's not there to compete with Catalinbread Super Chili Picoso's own bright character

Tech 21 SansAmp Oxford

Keep Strymon TimeLine after Tech 21 SansAmp Oxford in the signal chain, clear of Tech 21 SansAmp Oxford's own gain stage

Wampler Pedals Tweed '57

Put Strymon TimeLine after Wampler Pedals Tweed '57 in the signal chain, clear of Wampler Pedals Tweed '57's own gain stage

Browne Amplification Carbon X

Keep Browne Amplification Carbon X's bright voice out front: Strymon TimeLine goes after Browne Amplification Carbon X in the signal chain so its pristine voice doesn't muddy it

Morley MTTW Tone Questor WAH

Strymon TimeLine's pristine voice goes after Morley MTTW Tone Questor WAH in the signal chain — it's not there to compete with Morley MTTW Tone Questor WAH's own bright character

Dunlop TBM1

Keep Dunlop TBM1's gritty voice out front: Strymon TimeLine goes after Dunlop TBM1 in the signal chain so its pristine voice doesn't muddy it

Dunlop TBM1

Keep Dunlop TBM1's gritty voice out front: Strymon TimeLine goes after Dunlop TBM1 in the signal chain so its pristine voice doesn't muddy it

AnalogMan Beano Boost

Keep TimeLine's studio-grade digital delay trailing after the Beano Boost's raw, honky treble lift, not before, or the repeats inherit an unshaped tone.

Free The Tone Crunchy Chime CC-1B

Keep Strymon TimeLine after Free The Tone Crunchy Chime CC-1B in the signal chain, clear of Free The Tone Crunchy Chime CC-1B's own gain stage

Electronic Audio Experiments The Bard

Put Strymon TimeLine after Electronic Audio Experiments The Bard in the signal chain, clear of Electronic Audio Experiments The Bard's own gain stage

Tech 21 Para Driver

Strymon TimeLine's pristine voice goes after Tech 21 Para Driver in the signal chain — it's not there to compete with Tech 21 Para Driver's own mid-forward character

Xotic Effects SL Drive

Put Strymon TimeLine after Xotic Effects SL Drive in the signal chain, clear of Xotic Effects SL Drive's own gain stage

JHS Boss TR-2 Tremolo

Keep Strymon TimeLine after JHS Boss TR-2 Tremolo in the signal chain, clear of JHS Boss TR-2 Tremolo's own gain stage

Palmer Pocket AMP Bass

Keep Palmer Pocket AMP Bass's pristine voice out front: Strymon TimeLine goes after Palmer Pocket AMP Bass in the signal chain so its pristine voice doesn't muddy it