Amps that pair well with the Strymon TimeLine

Marshall Super Bass

TimeLine's studio-grade digital delays get real headroom from the Super Bass's own pedal-platform design, so the repeats stay clean at volume.

Peavey MAX 100

The MAX 100's simple, rehearsal-voiced clean channel gives the TimeLine's complex digital delays a quiet platform to build on without extra coloring.

Vox AC15CH Custom 15W Head

Run the TimeLine's complex, high-fidelity delays in the AC15's loop, so the amp's own sweet breakup doesn't get diluted by digital repeats.

Vox MV50 AC SET

Run the TimeLine in the MV50 AC's loop for warm, studio-grade digital delay beyond the amp's own chiming British character.

Vox Ac30 1960s

Strymon TimeLine's pristine voice goes in Vox Ac30 1960s's effects loop — it's not there to compete with Vox Ac30 1960s's own edge of breakup character

Vox AC30HWRH Hand-Wired 2-Channel 30W Head

Keep Strymon TimeLine in Vox AC30HWRH Hand-Wired 2-Channel 30W Head's effects loop, clear of Vox AC30HWRH Hand-Wired 2-Channel 30W Head's own gain stage

Vox AC30 Rose Morris 80s

Strymon TimeLine's pristine voice goes in Vox AC30 Rose Morris 80s's effects loop — it's not there to compete with Vox AC30 Rose Morris 80s's own mid-forward character

Carr Skylark Special

Put Strymon TimeLine in Carr Skylark Special's effects loop, clear of Carr Skylark Special's own gain stage

1964 Vox AC30

Run the TimeLine in the AC30's loop for warm, studio-grade digital delay beyond the amp's own chiming British sparkle.

Carr Skylark

Strymon TimeLine's pristine voice goes in Carr Skylark's effects loop — it's not there to compete with Carr Skylark's own crunchy character

Aguilar AG 500 V2

Run the TimeLine in the AG 500's loop for warm, studio-grade digital delay beyond the amp's own mid-forward, jazz-funk voice.

Soldano 1x12 Open Back

Put Strymon TimeLine in Soldano 1x12 Open Back's effects loop, clear of Soldano 1x12 Open Back's own gain stage

Morgan AC20 Combo

Strymon TimeLine's pristine voice goes in Morgan AC20 Combo's effects loop — it's not there to compete with Morgan AC20 Combo's own dynamic character

Morgan MVP66 Head

Keep Strymon TimeLine in Morgan MVP66 Head's effects loop, clear of Morgan MVP66 Head's own gain stage

Blackstar Series One 200 Top MkI Head 200Watt

Run Strymon TimeLine in Blackstar Series One 200 Top MkI Head 200Watt's effects loop, clear of Blackstar Series One 200 Top MkI Head 200Watt's own gain stage

Bruno Cowtipper 35

Put Strymon TimeLine in Bruno Cowtipper 35's effects loop, clear of Bruno Cowtipper 35's own gain stage

Fender Bandmaster

Run Strymon TimeLine in Fender Bandmaster's effects loop, clear of Fender Bandmaster's own gain stage

Matchless Laurel Canyon 20-Watt 1x12"

Put Strymon TimeLine in Matchless Laurel Canyon 20-Watt 1x12"'s effects loop, clear of Matchless Laurel Canyon 20-Watt 1x12"'s own gain stage

Magnatone Varsity Reverb (Spanish Mission)

Keep Magnatone Varsity Reverb (Spanish Mission)'s spring voice out front: Strymon TimeLine goes in Magnatone Varsity Reverb (Spanish Mission)'s effects loop so its pristine voice doesn't muddy it

Bad Cat Cub V Handwired 15-Watt Tube

Keep Strymon TimeLine in Bad Cat Cub V Handwired 15-Watt Tube's effects loop, clear of Bad Cat Cub V Handwired 15-Watt Tube's own gain stage

Matchless Coldwater Canyon 112

Keep Strymon TimeLine in Matchless Coldwater Canyon 112's effects loop, clear of Matchless Coldwater Canyon 112's own gain stage

Diezel Paul 45W Head

Put Strymon TimeLine in Diezel Paul 45W Head's effects loop, clear of Diezel Paul 45W Head's own gain stage

Music Man 410 Sixty Five

Keep Music Man 410 Sixty Five's warm voice out front: Strymon TimeLine goes in Music Man 410 Sixty Five's effects loop so its pristine voice doesn't muddy it

Matchless At 40 watts, the Laurel Canyon Reverb

Keep Matchless At 40 watts, the Laurel Canyon Reverb's edge of breakup voice out front: Strymon TimeLine goes in Matchless At 40 watts, the Laurel Canyon Reverb's effects loop so its pristine voice doesn't muddy it