Amptweaker Fat Rock vs Shins Music Shin's Music Double Trouble

The Amptweaker Fat Rock and the Shins Music Shin's Music Double Trouble are both pedals sharing full, warm, mid-forward. The Shins Music Shin's Music Double Trouble leans transparent and saturated.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

43% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • full
  • warm
  • mid-forward
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$269via Reverb

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Description

The Amptweaker FatRock is a rock distortion pedal designed by James Brown as a warmer evolution of the TightRock, developed in response to player requests for a version better suited to brighter guitars and amplifiers. Compared to the TightRock, the FatRock extends the low range of the Tight and Tone controls, adds a fixed Fat boost at the front end for a slightly softer attack, and boosts the low-end in the output EQ. An EQ switch converts the tone stack to PlexEQ mode for classic vintage stack character. Three effects loops including the SideTrak loop active when the pedal is off allow complex routing.

The Shin's Music Double Trouble is a point-to-point hand-wired dual overdrive from Tokyo, pairing two Tube Screamer-derived circuits so both can run together -- built around Stevie Ray Vaughan's practice of stacking two green boxes. Channel one is the modern voice, based on the 9-series sound: crisper, with slightly higher gain and a cutting edge suited to lead work. Channel two is the vintage voice, based on the 808: lower gain with rich mids and a fuller bottom end, ideal as an amp pusher or booster. Because the two derive from different circuits they work independently as well as stacked, and running both produces the fat, glassy, singing sustain associated with SRV's clean-amp tone.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Hard Rock
  • Blues
Tonal lean
—
  • transparent
  • saturated
  • sustaining
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