Behringer SF300 Super Fuzz vs EarthQuaker Devices Barrows Fuzz Attacker
The Behringer SF300 Super Fuzz and the EarthQuaker Devices Barrows Fuzz Attacker are both pedals sharing smooth, full, mid-forward. The Behringer SF300 Super Fuzz leans high gain and octave. The EarthQuaker Devices Barrows Fuzz Attacker leans transparent and saturated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
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Genres both listings are associated with.- Rock
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Derived from overlapping tonal signals across both listings.- smooth
- full
- mid-forward
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$119via Reverb
The Behringer SF300 is a fuzz pedal based on the Boss FZ-2 Hyper Fuzz circuit, a JFET-based fuzz design from the mid-1990s known for producing thick, octave-influenced fuzz with three switchable character modes. Mode one delivers a standard smooth fuzz, mode two adds harmonic octave content for a richer and more complex fuzz texture, and mode three produces a high-gain wall-of-fuzz that borders on distortion. The FZ-2 circuit has a stronger bass response than many vintage silicon fuzz designs and remains a cult favourite among shoegaze, grunge, and heavy psych guitarists. The SF300 reproduces the core FZ-2 circuit at budget pricing.
The EarthQuaker Devices Barrows Fuzz Attacker is a germanium-transistor fuzz pedal based on the classic Tone Bender MkII circuit, representing a modern 21st-century take on that foundational 1960s fuzz design. It delivers cutting mid-focused tones with brilliant top-end grind and low-end authority from vintage germanium transistors that are responsive to guitar volume attenuation. At lower gain settings the Barrows sings with amp-like distortion and superb touch sensitivity; at higher settings it builds to crushing, sustain-drenched fuzz. Associated with blues, classic rock, and psychedelic styles.
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Genres this gear is documented as being used in.- Grunge
- Shoegaze
- Blues
- Classic Rock
- Stoner Rock
- high gain
- octave
- harmonically rich
- transparent
- saturated