The Behringer SF300 Super Fuzz is a Behringer fuzz pedal. Close alternatives include the Suhr Rufus Reloaded and the Fulltone '69 MkII Fuzz. It pairs well with the Peavey Bandit 112 and the Boss CEB-3 Bass Chorus Ensemble.
Behringer SF300 Super Fuzz
Behringer · pedal
The Behringer SF300 is a fuzz pedal based on the Boss FZ-2 Hyper Fuzz circuit, a JFET-based fuzz design from the mid-1990s known for producing thick, octave-influenced fuzz with three switchable character modes. Mode one delivers a standard smooth fuzz, mode two adds harmonic octave content for a richer and more complex fuzz texture, and mode three produces a high-gain wall-of-fuzz that borders on distortion. The FZ-2 circuit has a stronger bass response than many vintage silicon fuzz designs and remains a cult favourite among shoegaze, grunge, and heavy psych guitarists. The SF300 reproduces the core FZ-2 circuit at budget pricing.
What stands out
“The FZ-2 circuit has a stronger bass response than many vintage silicon fuzz designs and remains a cult favourite among shoegaze, grunge, and heavy psych guitarists”
— from the listing
“The Behringer SF300 is a fuzz pedal based on the Boss FZ-2 Hyper Fuzz circuit, a JFET-based fuzz design from the mid-1990s known for producing thick, octave-influenced fuzz with three switchable character modes”
— from the listing
“Thick, bass-forward JFET fuzz with three distinct character modes spanning smooth fuzz, octave-infused fuzz, and high-gain wall sound, based on the Boss FZ-2 Hyper Fuzz”
— from the community notes
“Mode one delivers a standard smooth fuzz, mode two adds harmonic octave content for a richer and more complex fuzz texture, and mode three produces a high-gain wall-of-fuzz that borders on distortion”
— from the listing
“Full-range fuzz with strong bass can muddy a low-tuned guitar in a dense band mix at higher gain settings”
— from the community notes
- bass
- fuzz
- high gain
- octave
- jfet
- smooth
- shoegaze
- mix
Genres the Behringer SF300 Super Fuzz is commonly used in
- Rock
- Grunge
- Shoegaze
- Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Stoner Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Noise Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Behringer SF300 Super Fuzz
Peavey Bandit 112
Peavey
31% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Stack Peavey Bandit 112 on top and a high gain tone tightens toward tight
Comes later in the signal chain
Boss CEB-3 Bass Chorus Ensemble
Boss
31% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Boss CEB-3 Bass Chorus Ensemble in front and the fuzzy tone leans further toward modulated
Comes later in the signal chain
Gibson Les Paul LP-1 Preamp
Gibson
tonal matchComes later in the signal chain
Gibson Les Paul LP-1 Preamp stacks modulated on top of the fuzzy already here
Magnatone 510
Magnatone
tonal matchComes later in the signal chain
Magnatone 510 stacks modulated on top of the fuzzy already here
Pedals that stack with the Behringer SF300 Super Fuzz
Walrus Audio EB-10 Black Edition
Walrus Audio
19% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Walrus Audio EB-10 Black Edition stacks clean boost on top of the fuzzy already here
Comes earlier in the signal chain
JHS Emperor
JHS Pedals
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run JHS Emperor after Behringer SF300 Super Fuzz in the signal chain, clear of Behringer SF300 Super Fuzz's own gain stage
Comes later in the signal chain
Beetronics Buzzter Boost Preamp
Beetronics
18% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Beetronics Buzzter Boost Preamp stacks clean boost on top of the fuzzy already here
Comes earlier in the signal chain
Hungry Robot The Borderland
Hungry Robot
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Hungry Robot The Borderland's modulated voice goes after Behringer SF300 Super Fuzz in the signal chain — it's not there to compete with Behringer SF300 Super Fuzz's own fuzzy character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Pigtronix Echolution
Pigtronix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Behringer SF300 Super Fuzz's fuzzy voice out front: Pigtronix Echolution goes after Behringer SF300 Super Fuzz in the signal chain so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Wampler Cory Wong
Wampler
13% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Behringer SF300 Super Fuzz's own fuzzy character is the real reason this is worth trying
Comes earlier in the signal chain
EarthQuaker Devices Swiss Things
EarthQuaker Devices
EarthQuaker Devices Utility Series Buffer Preamp
EarthQuaker Devices
tonal matchComes later in the signal chain
EarthQuaker Devices Utility Series Buffer Preamp stacks clean boost on top of the fuzzy already here
Alternativessee all similar tone character →
Suhr Rufus Reloaded
Suhr
66% similarityShared character: one octave, middle, fuzz
Fulltone '69 MkII Fuzz
Fulltone
59% similarityShared character: thickness, middle, fuzz
EarthQuaker Devices Hoof Hybrid Fuzz
EarthQuaker Devices
58% similarityShared character: high gain settings, middle, fuzz
Fender Kevin Shields Blender
Fender
56% similarityShared character: one octave, fuzz, full
Jackson Audio Modern Fuzz Deluxe
Jackson Audio
56% similarityShared character: fuzz, high gain settings
Fairfield Circuitry ~900 About Nine Hundred Fuzz
Fairfield Circuitry
56% similarityShared character: fuzz, bass, smooth
Keeley Loomer
Keeley
55% similarityShared character: fuzz
Jackson Audio Fuzz
Jackson Audio
54% similarityShared character: one octave, middle, fuzz
Pigtronix Octava
Pigtronix
54% similarityShared character: one octave, mix, distortion
Spaceman Spacerocket II
Spaceman
53% similarityShared character: fuzz
Electro-Harmonix Russian Big Muff Pi Fuzz Distortion
Electro-Harmonix
53% similarityShared character: high gain settings, middle, fuzz
Dunlop MXR SUB Machine
Dunlop
53% similarityShared character: one octave, mix, thickness
See all alternatives to the Behringer SF300 Super Fuzz (cheaper + boutique) →
Questions people ask
What are good alternatives to the Behringer SF300 Super Fuzz?+
The closest matches in character are the Suhr Rufus Reloaded, the Fulltone '69 MkII Fuzz, the EarthQuaker Devices Hoof Hybrid Fuzz.
What pairs well with the Behringer SF300 Super Fuzz?+
Strong matches from rig and tone-complementarity evidence: Peavey Bandit 112, Boss CEB-3 Bass Chorus Ensemble, Gibson Les Paul LP-1 Preamp — Stack Peavey Bandit 112 on top and a high gain tone tightens toward tight.
Compare
- vs Fairfield Circuitry 900 Fuzz
- vs EarthQuaker Devices Barrows Fuzz Attacker
- vs Sola Sound Tone Bender MkII