The Jackson Audio Fuzz is a Jackson Audio fuzz pedal. Close alternatives include the JHS Legends of Fuzz Supreme 1972 Japan Fuzz and the Spaceman Spacerocket II. It pairs well with the Fender Vibrolux 6G11 and the Boss CEB-3 Bass Chorus Ensemble.
Jackson Audio Fuzz
Jackson Audio · pedal
The Jackson Audio FUZZ is a modular fuzz built around swappable analogue plug-in modules, shipping with two: a Modern Fuzz voice capable of crushing, wall-like gain that still cleans up as the guitar volume is rolled back, and a Classic/Vintage module that is a refinement of the Fuzz Face circuit with its warm, touch-sensitive, singing character. The standout feature is a three-band parametric EQ with 20dB of boost or cut per band, a sweepable mid-frequency control and a Q control for each band, so the fuzz can be scooped, made honking and midrange-forward, or tightened at the bottom -- a level of tone shaping no other compact fuzz offers. A flexible octave-up circuit adds ring-modulated, searing upper harmonics, and with the octave dialled back it behaves as a boost, unlocking Tone Bender-style tones in front of another fuzz.
What stands out
“The Jackson Audio FUZZ is a modular fuzz built around swappable analogue plug-in modules, shipping with two: a Modern Fuzz voice capable of crushing, wall-like gain that still cleans up as the guitar volume is rolled back, and a Classic/Vin…”
— from the listing
“Part of Jackson Audio's modular effects system, providing fuzz capability within a reconfigurable signal chain ecosystem”
— from the community notes
“the modular format requires investment in the jackson audio ecosystem to use to its full potential”
— from the community notes
“Sound quality is consistent with Jackson Audio's boutique standard”
— from the reviews
“The standout feature is a three-band parametric EQ with 20dB of boost or cut per band, a sweepable mid-frequency control and a Q control for each band, so the fuzz can be scooped, made honking and midrange-forward, or tightened at the botto…”
— from the listing
- fuzz
- full
- boost
- eq
- gain
- tone bender style tones
- harmonics
- fuzz face
Genres the Jackson Audio Fuzz is commonly used in
- Stoner Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Noise Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Experimental
cited
Inferred from shared tonal signals, not a stated genre tag. - Grunge
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Jackson Audio Fuzz
Fender Vibrolux 6G11
amplifier
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 stacks modulated on top of the fuzzy already here
Comes later in the signal chain
Boss CEB-3 Bass Chorus Ensemble
Boss
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Boss CEB-3 Bass Chorus Ensemble layers modulated onto an already fuzzy signal
Comes later in the signal chain
Gibson Les Paul LP-1 Preamp
Gibson
tonal matchComes later in the signal chain
Run fuzzy into Gibson Les Paul LP-1 Preamp for more modulated on top
Magnatone 510
Magnatone
tonal matchComes later in the signal chain
Run fuzzy into Magnatone 510 for more modulated on top
Pedals that stack with the Jackson Audio Fuzz
Cts Crazy Tube Circuits Memphis
Cts
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Jackson Audio Fuzz's fuzzy voice out front: Cts Crazy Tube Circuits Memphis goes after Jackson Audio Fuzz in the signal chain so its modulated voice doesn't muddy it
Comes later in the signal chain
Walrus Audio Ages
Walrus Audio
20% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Walrus Audio Ages layers clean boost onto an already fuzzy signal
Comes earlier in the signal chain
Beetronics Buzzter Boost Preamp
Beetronics
19% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Put Beetronics Buzzter Boost Preamp in front and the fuzzy tone leans further toward clean boost
Comes earlier in the signal chain
Hungry Robot The Borderland
Hungry Robot
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Hungry Robot The Borderland's modulated voice goes after Jackson Audio Fuzz in the signal chain — it's not there to compete with Jackson Audio Fuzz's own fuzzy character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Pigtronix Echolution
Pigtronix
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run Pigtronix Echolution after Jackson Audio Fuzz in the signal chain, clear of Jackson Audio Fuzz's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
PRS Mary-Cries Compressor
PRS
12% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Jackson Audio Fuzz leans toward fuzzy, and that's a real, usable character to pair with
Comes earlier in the signal chain
EarthQuaker Devices Swiss Things
EarthQuaker Devices
EarthQuaker Devices Utility Series Buffer Preamp
EarthQuaker Devices
tonal matchComes later in the signal chain
Put EarthQuaker Devices Utility Series Buffer Preamp in front and the fuzzy tone leans further toward clean boost
Alternativessee all similar tone character →
JHS Legends of Fuzz Supreme 1972 Japan Fuzz
JHS Pedals
61% similarityShared character: one octave, middle, fuzz
Spaceman Spacerocket II
Spaceman
60% similarityShared character: boost, fuzz
Fulltone '69 MkII Fuzz
Fulltone
57% similarityShared character: touch, middle, fuzz
Behringer SF300 Super Fuzz
Behringer
54% similarityShared character: one octave, middle, fuzz
Suhr Rufus Reloaded
Suhr
53% similarityShared character: one octave, middle, fuzz
Ibanez FZ Mini Fuzz
Ibanez
52% similarityShared character: fuzz
Tru-Fi Super Fuzz PBF Compact Version
Tru Fi
52% similarityShared character: one octave, fuzz, full
Dunlop BFGO7 Billy Gibbons Octavio
Dunlop
52% similarityShared character: one octave, singing, fuzz
Wampler Velvet Fuzz
Wampler
50% similarityShared character: singing, fuzz
Electro-Harmonix Percolator
Electro-Harmonix
50% similarityShared character: one octave, fuzz, gain
Manson Supermassive Black Fuzz
Manson
49% similarityShared character: fuzz, gain, full
Beetronics AB-ST
Beetronics
49% similarityShared character: brand, fuzz, boost
See all alternatives to the Jackson Audio Fuzz (cheaper + boutique) →
Questions people ask
What are good alternatives to the Jackson Audio Fuzz?+
The closest matches in character are the JHS Legends of Fuzz Supreme 1972 Japan Fuzz, the Spaceman Spacerocket II, the Fulltone '69 MkII Fuzz.
What pairs well with the Jackson Audio Fuzz?+
Strong matches from rig and tone-complementarity evidence: Fender Vibrolux 6G11, Boss CEB-3 Bass Chorus Ensemble, Gibson Les Paul LP-1 Preamp — Fender Vibrolux 6G11 stacks modulated on top of the fuzzy already here.
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