Boss FZ-3 Fuzz vs SolidGoldFX If 6 Was 9 MKII
The Boss FZ-3 Fuzz and the SolidGoldFX If 6 Was 9 MKII are both pedals sharing silicon, full. The Boss FZ-3 Fuzz leans smooth. The SolidGoldFX If 6 Was 9 MKII leans fuzzy and bright.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.47% — somewhat different
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Derived from overlapping tonal signals across both listings.- silicon
- full
Boss FZ-3 Fuzz
Unknown brand · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$88.83via Reverb
The Boss FZ-3 Fuzz is a back-to-basics silicon fuzz recreating classic late-1960s and early-1970s fuzz tones, built around five 2SC2458 silicon transistors for a voicing that sits between a Fuzz Face and a Tone Bender. Level, Fuzz, and Tone controls give it a thick, saturated, aggressive vintage character, with the Tone control extending its range from a high-gain Fuzz-Face-like voice into darker, more Tone-Bender-style distortion territory. Quieter in operation than many vintage fuzz circuits, it has been used by players including John Frusciante and Billy Corgan. It suits players wanting an authentic, simple vintage fuzz voice with just enough tonal range to cover both classic fuzz camps.
The SolidGoldFX If 6 Was 9 BC183 MKII is a silicon Fuzz Face-style fuzz built around two BC183 transistors, widely regarded as the middle ground between the mushy compression of germanium and the brash, sawmill harshness of typical silicon. The voice is smooth and refined, holding together on chords rather than falling apart, with generous sustain on single notes. Five controls -- Volume, Bias, Fuzz, Volts and Saturate -- give unusual command over the circuit: Volts sets the supply voltage so the tone no longer depends on a dying battery, and Bias combined with it reaches any shade from gated, sputtering splat through to smooth and dynamic. Saturate trims the input for better cleanup and impedance matching. A Body toggle selects three voicings: Fat, Treble Boost and Classic. It cleans up beautifully as the guitar volume is rolled back.
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Genres this gear is documented as being used in.- Experimental
- alternative
- blues rock
- rock
- smooth
- fuzzy
- bright
- sustaining