Crazy Tube Circuits Sidekick vs Crazy Tube Circuits Sidekick Jr

The Crazy Tube Circuits Sidekick and the Crazy Tube Circuits Sidekick Jr are both pedals sharing analog warmth, modulated, lush.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

51% — moderately similar

Shared genres
citedGenres both listings are associated with.
  • Ambient
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • analog warmth
  • modulated
  • lush
  • shimmer
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
17%
0%
Price
—

$268.16via Reverb

Description

The Crazy Tube Circuits Sidekick is a multi-effects pedal inspired by 1980s digital processing hardware, combining a sweet sparky echo/delay (up to 700ms) with three algorithms of spacious reverb (Exciter, Plate, and Shimmer) plus a fully analog BBD chorus. The analog chorus can be switched for less modulated delay time with extra feedback creating flanger-like effects. An 80s-inspired multi-effects workstation in a compact boutique format. Made in Greece by Crazy Tube Circuits.

The Crazy Tube Circuits Sidekick Jr is a compact modulation, delay and reverb combo pedal from the Greek builder, successor to the 2019 Sidekick with more DSP power and double the algorithms in a smaller enclosure. It carries six reverb types, two delays and three modulation algorithms explicitly modelled on Boss's 1980s benchmarks -- an Ensemble mode for warm, lush chorus, a Dimension mode for subtle stereo-style widening and shimmer, and a flanger for sweeping, metallic jet-plane movement. The reverbs and delays are quiet and high quality, staying analogue-flavoured and never sounding digital unless intended. There are no menu screens: each section has its own straightforward controls. Well suited to players wanting an all-in-one '80s-voiced ambient and modulation section without the cost or board space of three separate pedals.

Genres
citedGenres this gear is documented as being used in.
  • Post-Rock
—
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Studio
  • Live
  • Studio

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