Dunlop MXR M94SE Super Badass Distortion vs Dunlop MXR Distortion Plus
The Dunlop MXR M94SE Super Badass Distortion and the Dunlop MXR Distortion Plus are both pedals sharing saturated, compressed. The Dunlop MXR M94SE Super Badass Distortion leans crunchy and high gain. The Dunlop MXR Distortion Plus leans warm and mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.54% — moderately similar
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Genres both listings are associated with.- Classic Rock
- Alternative Rock
- Metal
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Derived from overlapping tonal signals across both listings.- saturated
- compressed
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.The MXR M94SE Super Badass Distortion is a high-gain distortion pedal from MXR by Jim Dunlop, delivering wide-range distortion with a three-band active EQ and a broad gain spectrum covering everything from medium overdrive to extreme distortion. The Super Badass is designed to cover the widest possible range of drive styles in a single enclosure, suited to both classic rock and modern high-gain applications. Internal DIP switches allow clipping diode selection between different clipping characters including hard silicon clipping and softer asymmetric options, enabling circuit-level voicing customization.
The MXR Distortion Plus is the original MXR distortion pedal, introduced in 1973 and one of the most influential hard-clipping distortion designs in the history of the electric guitar. The circuit uses a single op-amp with hard germanium diode clipping to produce a compressed, warm distortion character with a distinctive midrange voice. The Distortion Plus is strongly associated with Randy Rhoads, who used it with Ozzy Osbourne, and with Slash on early Guns N Roses recordings. It delivers moderate-to-high gain distortion with warm, natural compression and a mid-voiced character that cuts well in classic rock contexts. The design has been extensively copied and remains in production as the M104.
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Genres this gear is documented as being used in.- Rock
- Hard Rock
- crunchy
- high gain
- warm
- mid-forward