The Dunlop MXR Distortion Plus is a Dunlop distortion pedal. Close alternatives include the Dunlop MXR Randy Rhoads Concorde Distortion, model RR104C and the J. Rockett Archer Ikon. It pairs well with the Carvin Legacy 3 VL300 100W Amp Head and the Peavey 5150 120-Watt Head.
Dunlop MXR Distortion Plus
Dunlop · pedal
The MXR Distortion Plus is the original MXR distortion pedal, introduced in 1973 and one of the most influential hard-clipping distortion designs in the history of the electric guitar. The circuit uses a single op-amp with hard germanium diode clipping to produce a compressed, warm distortion character with a distinctive midrange voice. The Distortion Plus is strongly associated with Randy Rhoads, who used it with Ozzy Osbourne, and with Slash on early Guns N Roses recordings. It delivers moderate-to-high gain distortion with warm, natural compression and a mid-voiced character that cuts well in classic rock contexts. The design has been extensively copied and remains in production as the M104.
What stands out
“Classic hard-clipping distortion with warm compression and a distinctive midrange character associated with Randy Rhoads, Slash, and classic hard rock and heavy metal playing of the late 1970s and 1980s”
— from the community notes
“It delivers moderate-to-high gain distortion with warm, natural compression and a mid-voiced character that cuts well in classic rock contexts”
— from the listing
“Most commonly used into a clean or mildly driven tube amplifier at moderate gain settings where the compressed warmth works naturally with the amp character”
— from the community notes
“Randy Rhoads and Slash associations make it an attractive reference point for players pursuing classic rock tones”
— from the reviews
“The circuit is somewhat inflexible compared to modern distortion alternatives, with fewer EQ controls and a fixed midrange voicing”
— from the community notes
Trade-offs
“The fixed midrange voicing and two-knob control set limit flexibility compared to modern alternatives with active EQ and wider gain ranges”
— from the reviews
- distortion
- warm
- compressed
- midrange
- clipping
- compression
- classic rock
- natural compression
Genres the Dunlop MXR Distortion Plus is commonly used in
- Classic Rock
- Rock
- Alternative Rock
- Metal
- Hard Rock
- Blues
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Dunlop MXR Distortion Plus
Carvin Legacy 3 VL300 100W Amp Head
Carvin
31% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own
Comes later in the signal chain
Peavey 5150 120-Watt Head
Peavey
28% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Run Dunlop MXR Distortion Plus into that dynamic platform and it finally leans toward compressed
Comes later in the signal chain
Diezel VH4 4-Channel 100-Watt
Diezel
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Push the VH4's tight, huge gain further by stacking the Distortion Plus's warm, compressed clipping in front for extra saturation.
Comes later in the signal chain
Carvin Legacy 1 VL100 100W Amp Head
Carvin
28% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own
Comes later in the signal chain
Revv Generator 100P MkIII 3-Channel Head
Revv
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Put Revv Generator 100P MkIII 3-Channel Head in front and the mid-forward tone leans further toward high gain
Comes later in the signal chain
Marshall Lead 20 Model 5002 Amplifier
amplifier
24% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)
Dunlop MXR Distortion Plus's warm voice suits Marshall Lead 20 Model 5002 Amplifier's own bright character
Comes later in the signal chain
Blackstar Series One 45-Watt 2x12"
Blackstar
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Dunlop MXR Distortion Plus takes that crunchy character and pushes it toward mid-forward
Comes later in the signal chain
PRS DG Custom 15 Combo
PRS
22% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
The dynamic tone has headroom to spare — Dunlop MXR Distortion Plus leans it toward compressed to fill it in
Comes later in the signal chain
See all 9 amps that pair with the Dunlop MXR Distortion Plus →
Pedals that stack with the Dunlop MXR Distortion Plus
Electro-Harmonix Q-Tron Plus
Electro-Harmonix
37% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
Electro-Harmonix POG2 Polyphonic Octave Generator
Electro-Harmonix
32% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing
Comes earlier in the signal chain
Wren and Cuff Box of War Small Foot Fuzz
Wren And Cuff
29% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Stack the Box of War's clear, sustaining Muff-style fuzz with the Distortion+'s own warm, compressed clipping for two distinct low-gain textures.
Comes later in the signal chain
Mad Professor Sweet Honey Overdrive
Mad Professor
28% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
Dr. Scientist Frazz Dazzler
Dr Scientist
28% matchDr. Scientist Frazz Dazzler leans this transparent tone toward low gain, which it doesn't make on its own
Comes later in the signal chain
Pete Cornish SS-3
Pete Cornish
26% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
Boss CE-5 Chorus Ensemble
Boss
26% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing
Comes later in the signal chain
Way Huge Electronics Green Rhino MkII Overdrive
Way Huge
26% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, Dunlop MXR Distortion Plus brings a pull toward compressed that's missing
Comes earlier in the signal chain
See all 118 pedals that pair with the Dunlop MXR Distortion Plus →
Alternativessee all similar tone character →
Dunlop MXR Randy Rhoads Concorde Distortion, model RR104C
Dunlop
65% similarity“based on the MXR Distortion Plus circuit that Rhoads used extensively during his tenure with Ozzy Osbourne”
J. Rockett Archer Ikon
J Rockett
60% similarityShared character: high gain settings, gain, classic rock
Fender MTG LA Tube Distortion
Fender
60% similarityShared character: compression, hard rock, middle
Tech 21 CompTortion
Tech 21
60% similarityShared character: compression, gain, distortion
Catalinbread SFT V2
Catalinbread
59% similarityShared character: high gain settings, circuit, boost
DigiTech SC-2 Valve Distortion
Digitech
58% similarityShared character: high gain settings, circuit, warm
Dallas Rangemaster Treble Booster
Dallas
57% similarityShared character: 1960s, boost, compression
Electronic Audio Experiments Model FeT
Electronic Audio Experiments
56% similarityShared character: compression, hard rock, distortion
Carl Martin TOD High-Gain Overdrive
Carl Martin
56% similarityShared character: high gain settings, compression, hard rock
Dunlop Custom Badass
Dunlop
56% similarityShared character: boost, compression, hard rock
JHS The Overdrive Preamp
JHS Pedals
56% similarityShared character: 1960s, compression, middle
Dophix Dante
Dophix
55% similarityShared character: hard rock, high gain settings, circuit
See all alternatives to the Dunlop MXR Distortion Plus (cheaper + boutique) →
Questions people ask
What are good alternatives to the Dunlop MXR Distortion Plus?+
The closest matches in character are the Dunlop MXR Randy Rhoads Concorde Distortion, model RR104C, the J. Rockett Archer Ikon, the Fender MTG LA Tube Distortion.
What pairs well with the Dunlop MXR Distortion Plus?+
Strong matches from rig and tone-complementarity evidence: Carvin Legacy 3 VL300 100W Amp Head, Peavey 5150 120-Watt Head, Diezel VH4 4-Channel 100-Watt — Dunlop MXR Distortion Plus leans this dynamic tone toward compressed, which it doesn't make on its own.
Compare
- vs Benson Amps Portable Distortion 424 MKII
- vs JHS Overdrive/Preamp
- vs MXR CSP039 Duke of Tone Overdrive