Dr. Scientist Frazz Dazzler

Friedman Dirty Shirley

Into the Dirty Shirley's vintage, British crunch, the Frazz Dazzler's gated, low-gain fuzz has a genuinely raw amp voice to push into.

PRS DGT 15 David Grissom Signature 15W Head

The DGT 15's vintage, roots-y blues breakup gives the Frazz Dazzler's gated, low-gain fuzz a genuinely warm amp voice to push into.

Friedman BE-Mini Head

Into a low gain tone, Friedman BE-Mini Head brings the high gain it's missing

Synergy SL2 Module

The low gain tone has headroom to spare — Synergy SL2 Module gives it high gain to fill it with

Hughes & Kettner Warp 7

The low gain tone has headroom to spare — Hughes & Kettner Warp 7 gives it high gain to fill it with

Hughes & Kettner Coreblade

Hughes & Kettner Coreblade's high gain fills in what this low gain tone doesn't make on its own

Mesa Boogie Triple Crown TC-100 Head

Run Mesa Boogie Triple Crown TC-100 Head into that low gain platform and it finally gets some high gain

EVH 000

Run EVH 000 into that low gain platform and it finally gets some high gain

Electro-Harmonix XO Deluxe Memory Man

The Frazz Dazzler's low-gain, gated fuzz stays warm and controlled in front of the Memory Man's own modulated echo. — goes in the amp's FX loop (or last, into a clean amp)

Strymon OB.1 Bass

Run the OB.1's transparent optical compression ahead of the Frazz Dazzler so its low-gain fuzz tracks a smooth, already-controlled bass signal.

Boss DD-3 Digital Delay

The Frazz Dazzler's gated, low-gain fuzz stacks into the DD-3's clear digital repeats for a tighter signal. — goes in the amp's FX loop (or last, into a clean amp)

Suhr Discovery

The Discovery's lush, transparent delay doesn't stack gain with the Frazz Dazzler's fuzz — it just gives the fuzz somewhere natural to decay. — goes in the amp's FX loop (or last, into a clean amp)

Malekko Electro-Harmonix Memory Toy Analog Delay

Run the Frazz Dazzler's low-gain fuzz after the Memory Toy's warm analog echoes so the repeats get chewed up by the fuzz's own texture instead of staying clean. — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Voyager

Stack the Frazz Dazzler's low-gain fuzz after the Voyager's transparent, natural drive for extra texture without burying that touch-sensitive sustain.

Carl Martin DeLayla XL

The Frazz Dazzler's warm, gated low-gain fuzz gives the DeLayla's natural, slapback tape echo something dense to trail off, not real gain to stack. — goes in the amp's FX loop (or last, into a clean amp)

MXR MC-402

Push the Frazz Dazzler's low-gain fuzz with the MC-402's transparent, musical boost stacked in front for extra saturation without losing clarity.