The Keeley Moon is a Keeley fuzz pedal. Close alternatives include the Electro-Harmonix Flatiron Fuzz and the Electro-Harmonix Triangle Big Muff Pi. It pairs well with the Marshall Bluesbreaker and the Mesa Boogie Mark I.
Keeley Moon
Keeley · pedal
The Keeley Moon Op Amp Fuzz is a high-gain op-amp Big Muff-style fuzz, extracted from the quad-op-amp Muff circuit inside Keeley's Gilmour-inspired Dark Side workstation and beefed up as a standalone pedal. It is thick, massively saturated and bass-heavy, with a wealth of harmonic content and a wall-of-sound sustain that makes thinner fuzzes sound weedy alongside it. Volume, Filter and Fuzz controls are joined by a three-way voicing switch offering classic scooped mids, a flat EQ, and a Full setting with pronounced midrange for cutting through a band. The Filter control has a notably wide usable range, running from dark and woolly to sharp and cutting. Suits players after heavy, doom-leaning and Gilmour-style op-amp Muff tones.
What stands out
“The op-amp character contributes a specific coloration and spatial quality”
— from the reviews
“Part of Keeley's ambient and reverb effects lineup, providing lush atmospheric reverb with American build quality”
— from the community notes
“It is thick, massively saturated and bass-heavy, with a wealth of harmonic content and a wall-of-sound sustain that makes thinner fuzzes sound weedy alongside it”
— from the listing
“Volume, Filter and Fuzz controls are joined by a three-way voicing switch offering classic scooped mids, a flat EQ, and a Full setting with pronounced midrange for cutting through a band”
— from the listing
“Keeley reverb designs are valued for their musical quality and reliable construction”
— from the community notes
- op amp
- reverb
- american
- lush
- fuzz
- eq
- midrange
- scooped mids
Genres the Keeley Moon is commonly used in
- Electronic
- Shoegaze
- Post-Rock
- Ambient
- Stoner Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Grunge
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Keeley Moon
Marshall Bluesbreaker
Marshall
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans warm right where the bright tone needs it
Comes later in the signal chain
Mesa Boogie Mark I
Mesa Boogie
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Mesa Boogie Mark I on top and a scooped tone tightens toward mid-forward
Comes later in the signal chain
Ampeg V-4
Ampeg
tonal matchComes later in the signal chain
Feed a scooped signal into Ampeg V-4 and it comes out closer to mid-forward
Ceriatone HRM 50
Ceriatone
tonal matchComes later in the signal chain
Stack Ceriatone HRM 50 on top and a scooped tone tightens toward mid-forward
Ceriatone Overtone Special HRM Bluesmaster 50
Ceriatone
tonal matchComes later in the signal chain
Ceriatone Overtone Special HRM Bluesmaster 50 pushes a scooped tone toward mid-forward
Ampeg BA 108
Ampeg
tonal matchComes later in the signal chain
Ampeg BA 108 takes that scooped character and pushes it toward mid-forward
Magnatone 460
Magnatone
tonal matchComes later in the signal chain
Feed a scooped signal into Magnatone 460 and it comes out closer to mid-forward
Blackstar Unity 120
Blackstar
tonal matchComes later in the signal chain
Blackstar Unity 120 pushes a scooped tone toward mid-forward
Pedals that stack with the Keeley Moon
Cusack Music Screamer
Cusack Music
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Cusack Music Screamer and it comes out closer to mid-forward
Comes earlier in the signal chain
Strymon Zelzah -Dimensional Phaser
Strymon
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Strymon Zelzah -Dimensional Phaser after Keeley Moon in the signal chain, clear of Keeley Moon's own gain stage
Comes later in the signal chain
Beetronics Octahive
Beetronics
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Put Beetronics Octahive in front and the fuzzy tone leans further toward octave
Wampler Cory Wong
Wampler
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Keeley Moon leans toward op-amp, and that's a real, usable character to pair with
Comes earlier in the signal chain
J. Rockett Clockwork Echo
J Rockett
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put J. Rockett Clockwork Echo after Keeley Moon in the signal chain, clear of Keeley Moon's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Fairfield Circuitry Meet Maude
Fairfield Circuitry
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Fairfield Circuitry Meet Maude after Keeley Moon in the signal chain, clear of Keeley Moon's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
MXR CAE Wah
MXR
tonal matchComes earlier in the signal chain
Put MXR CAE Wah in front of Keeley Moon: a wah tracks picking dynamics best on the raw signal
JAM Pedals RetroVibe Mk.4
Jam Pedals
tonal matchComes later in the signal chain
Stack JAM Pedals RetroVibe Mk.4 on top and a scooped tone tightens toward mid-forward
Alternativessee all similar tone character →
Electro-Harmonix Flatiron Fuzz
Electro-Harmonix
57% similarityShared character: big muff, filter, volume
Electro-Harmonix Triangle Big Muff Pi
Electro-Harmonix
57% similarityShared character: big muff, dark, volume
Dunlop Way Huge Doom Hammer Fuzz, model WM45
Dunlop
57% similarityShared character: big muff, high gain settings, fuzz
Wren and Cuff Box of War OG
Wren And Cuff
55% similarityShared character: dark, big muff, volume
SONICAKE Fazy Cream
Sonicake
55% similarityShared character: big muff, dark, thickness
EarthQuaker Devices Gary V1 Fuzz
EarthQuaker Devices
55% similarityShared character: big muff, thickness, fuzz
Electronic Audio Experiments Glaive Octave Fuzz
Electronic Audio Experiments
53% similarityShared character: filter, high gain settings
Wren and Cuff Eye See Pi Fuzz
Wren And Cuff
53% similarityShared character: big muff, thickness, fuzz
Electro-Harmonix Russian Big Muff Pi Fuzz Distortion
Electro-Harmonix
52% similarityShared character: high gain settings, big muff, dark
Tech 21 SansAmp Character Plus English Muffy
Tech 21
52% similarityShared character: big muff, thickness, fuzz
EarthQuaker Devices Hizumitas-Pba
EarthQuaker Devices
51% similarityShared character: big muff, high gain settings, thickness
Electro-Harmonix Big Muff Pi with Tone Wicker
pedal
51% similarityShared character: big muff, filter, volume
See all alternatives to the Keeley Moon (cheaper + boutique) →
Questions people ask
What are good alternatives to the Keeley Moon?+
The closest matches in character are the Electro-Harmonix Flatiron Fuzz, the Electro-Harmonix Triangle Big Muff Pi, the Dunlop Way Huge Doom Hammer Fuzz, model WM45.
What pairs well with the Keeley Moon?+
Strong matches from rig and tone-complementarity evidence: Marshall Bluesbreaker, Mesa Boogie Mark I, Ampeg V-4 — Marshall Bluesbreaker leans warm right where the bright tone needs it.
Compare
- vs Electro-Harmonix Big Muff Pi
- vs Electro-Harmonix Green Russian Big Muff
- vs Electro-Harmonix Percolator