Dunlop MXR Distortion Plus vs EarthQuaker Devices Plumes Signal Shredder

The Dunlop MXR Distortion Plus and the EarthQuaker Devices Plumes Signal Shredder are both pedals sharing compressed, transparent, saturated. The Dunlop MXR Distortion Plus leans warm and mid-forward.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

31% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Rock
  • Alternative Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • compressed
  • transparent
  • saturated
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
17%
17%
Price
—

$99via Reverb

Description

The MXR Distortion Plus is the original MXR distortion pedal, introduced in 1973 and one of the most influential hard-clipping distortion designs in the history of the electric guitar. The circuit uses a single op-amp with hard germanium diode clipping to produce a compressed, warm distortion character with a distinctive midrange voice. The Distortion Plus is strongly associated with Randy Rhoads, who used it with Ozzy Osbourne, and with Slash on early Guns N Roses recordings. It delivers moderate-to-high gain distortion with warm, natural compression and a mid-voiced character that cuts well in classic rock contexts. The design has been extensively copied and remains in production as the M104.

The EarthQuaker Devices Plumes is an affordable, refined take on the Tube Screamer-style transparent overdrive circuit, officially subtitled the Small Signal Shredder. It uses Gain, Volume, and Tone knobs alongside a three-position Clipping switch (LED, silicon, and no-clipping/buffered-boost options), giving it more tonal range than a typical single-mode transparent overdrive. Marketed as an entry point into EarthQuaker's lineup, it's built to stay musically transparent at lower gain settings while still pushing into thicker, more saturated territory as gain increases.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Metal
  • Hard Rock
  • Indie Rock
  • Indie
  • Blues
  • Country
  • Blues Rock
Tonal lean
  • warm
  • mid-forward
—

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