Way Huge Smalls Swollen Pickle Fuzz vs Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz
The Way Huge Smalls Swollen Pickle Fuzz and the Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz are both pedals sharing crunchy, sustaining, transparent. The Way Huge Smalls Swollen Pickle Fuzz leans scooped. The Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz leans low gain and mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.50% — somewhat different
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Derived from overlapping tonal signals across both listings.- crunchy
- sustaining
- transparent
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$159.99via Reverb
The Way Huge Swollen Pickle Jumbo Fuzz is a Big Muff-style fuzz pedal from Way Huge, the boutique sub-brand of Jim Dunlop, offering expanded controls beyond the standard Big Muff layout. The Swollen Pickle features an internal Presence trimmer and Loudness trimmer alongside external Sustain, Tone, Scoop, and Crunch knobs, enabling wide-ranging frequency shaping from classic-rock crunch through shoegaze to sputtery destruction. It was originally designed by Jeorge Tripps, the founder of Way Huge, and became one of the brand defining products after Dunlop revived the Way Huge name. The Swollen Pickle covers an extensive range of Big Muff-style fuzz character across a single enclosure.
The Way Huge Swollen Pickle MKII Jumbo Fuzz is a Big Muff-inspired fuzz with a distinct voicing and tone response that sets it apart from the original, known for exceptional note separation and clarity alongside a huge, even frequency range and tremendous low end. It ranges from subtle, musical warmth to face-melting, aggressive filth, pushing a lot of air with a hi-fi quality unusual for a fuzz this heavy. The MKII adds Scoop and Crunch mini-knobs on top of the core controls: Scoop dials the midrange from boosted to scooped, and Crunch shapes how compressed the fuzz is, ranging from a squeezed, square-wave-like texture to all-out sonic annihilation. It suits heavy rock, doom, and grunge players wanting a massive, adjustable fuzz with real tonal range.
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Genres this gear is documented as being used in.- Classic Rock
- Metal
- Shoegaze
- Blues
- Alternative Rock
- Rock
- Electronic
- Grunge
- scooped
- low gain
- mid-forward
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Busking
- Live