Dunlop Way Huge Doom Hammer Fuzz, model WM45 vs Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz
The Dunlop Way Huge Doom Hammer Fuzz, model WM45 and the Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz are both pedals sharing mid-forward, low gain, crunchy. The Dunlop Way Huge Doom Hammer Fuzz, model WM45 leans fuzzy and bright. The Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz leans sustaining.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.53% — moderately similar
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Derived from overlapping tonal signals across both listings.- mid-forward
- low gain
- crunchy
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$159.99via Reverb
The Way Huge Doom Hammer Fuzz, model WM45, is a mini-format fuzz pedal from Way Huge by Jim Dunlop, based on Jeorge Tripps modification of a 1978 op-amp Big Muff circuit originally modified for the band Oranger. The Doom Hammer design is characterized by taut low-end control and more mid-presence compared to standard op-amp Big Muff designs, producing a dense, buzzy fuzz with a nasty, brash quality suited to doom metal, punk, and heavy rock applications. Premier Guitar reviewed the pedal as punky and brash with a pronounced midrange one associates with op-amp Big Muffs.
The Way Huge Swollen Pickle MKII Jumbo Fuzz is a Big Muff-inspired fuzz with a distinct voicing and tone response that sets it apart from the original, known for exceptional note separation and clarity alongside a huge, even frequency range and tremendous low end. It ranges from subtle, musical warmth to face-melting, aggressive filth, pushing a lot of air with a hi-fi quality unusual for a fuzz this heavy. The MKII adds Scoop and Crunch mini-knobs on top of the core controls: Scoop dials the midrange from boosted to scooped, and Crunch shapes how compressed the fuzz is, ranging from a squeezed, square-wave-like texture to all-out sonic annihilation. It suits heavy rock, doom, and grunge players wanting a massive, adjustable fuzz with real tonal range.
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Genres this gear is documented as being used in.- Doom Metal
- Rock
- Alternative Rock
- Stoner Rock
- Punk
- Electronic
- Grunge
- fuzzy
- bright
- saturated
- full
- sustaining
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Busking
- Live