Friedman Gold-72 No More Tears Wah vs Park Wah
The Friedman Gold-72 No More Tears Wah and the Park Wah are both pedals sharing mid-forward. The Friedman Gold-72 No More Tears Wah leans dynamic. The Park Wah leans smooth.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
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Derived from overlapping tonal signals across both listings.- mid-forward
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$169.99via Reverb
The Friedman Gold-72 No More Tears is a premium wah pedal designed to deliver vocal, throaty wah character with extensive user customization. A three-position sweep switch hidden under the treadle allows selection between three different sweep voicings. An Allen screw under the heel adjusts treadle tension to individual preference. Switchable between buffered bypass and true bypass operation. Covers Hendrix-style vocal wah, Schenker-esque cocked nasal tones, and weeping lead wah sounds.
The Park Wah is a vintage-style wah from Park, Marshall's sister brand, delivering a classic vocal wah sweep with a slightly distinct voicing. Billy Gibbons is among its users. It offers a smooth, throaty sweep suited to blues-rock and rock rhythm and lead, with vintage character that pairs well with overdriven amps.
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Genres this gear is documented as being used in.- Classic Rock
- Blues
- Hard Rock
- Blues Rock
- Rock
- dynamic
- smooth