Marshall 1959HW vs PRS MT100

The Marshall 1959HW and the PRS MT100 are both amplifiers sharing crunchy, dynamic, lush. The Marshall 1959HW leans saturated and edge of breakup. The PRS MT100 leans mid-forward and tight. Current prices: $2830.78 vs $1376.97.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

36% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Classic Rock
  • Rock
  • Hard Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • crunchy
  • dynamic
  • lush
  • glassy
  • bright

PRS MT100

PRS · amplifier

Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
17%
Price

$2830.78via Reverb

$1376.97via Reverb

Description

The Marshall 1959HW is a hand-wired 100-watt reissue of the legendary 1959 Super Lead Plexi, the non-master-volume head that powered late-1960s and 1970s rock. Built to vintage spec with point-to-point wiring and EL34 power valves, it produces huge, open clean-to-crunch tones that bloom into searing overdrive only at high volume. Its four inputs and jumpered channels recreate the classic Hendrix and early hard-rock voicing. There is no master volume, so the rich harmonic saturation comes from driving the power section hard.

The PRS MT100 is Mark Tremonti's signature 100-watt, three-channel tube amplifier head powered by twelve tubes, a stage-ready big brother to the MT15. Its Clean channel has huge Fender-influenced headroom that sweetens into chime and light crunch as the volume rises, the new medium-gain Overdrive channel captures D-style and classic-rock voices sitting between a JCM900 bark and a cranked brownface Fender, and the Lead channel is a massive American-voiced high-gain monster, tight on chugs yet thick with a distinctive midrange roar. Designed to fill halls and stadiums, it rewards a good 4x12 turned up. Ideal for hard rock and modern metal with serious clean and lead range.

Genres
citedGenres this gear is documented as being used in.
  • Blues Rock
  • Metal
Tonal lean
  • saturated
  • edge of breakup
  • full
  • sustaining
  • mid-forward
  • tight
  • transparent
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Live
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Marshall 1959HW vs PRS MT100 — Shared Character & Differences — NodeTone