Pedals that stack with the 1976 Marshall 1959 Super Lead

← everything about the 1976 Marshall 1959 Super Lead

All 42 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Electro-Harmonix Green Russian Big Muff

Electro-Harmonix

39% match
$76.06via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

1976 Marshall 1959 Super Lead's bright balances out the dark tone

Goes in front of the amp

Xotic BB Preamp

Xotic

35% match
$100via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Where this leans bright, Xotic BB Preamp answers back smooth

Goes in front of the amp

Boss OC-5

Boss

32% match
$146.75via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Eventide Modulated Delay

Eventide

30% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Analog Man King of Tone

Analog Man

29% match
$705via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Push the '76 Super Lead's raw, British breakup with the King of Tone's transparent boost and it opens up instead of just getting louder.

Goes in front of the amp

Wampler Plexi Drive

Wampler

28% match
$69via Reverb

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

What Wampler Plexi Drive brings here leans toward crunchy — that's worth building a pairing around

Goes in front of the amp

Beetronics Overhive Custom Cross Path

Beetronics

28% match
$315via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Tru-Fi The Aqua Echo 600 Analog

Tru Fi

27% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Singletone Malibu

Singletone

26% match
$299via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Strymon Brig echo Compact

Strymon

26% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run 1976 Marshall 1959 Super Lead after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Wampler Nirvana Chorus

Wampler

26% match
$159via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after 1976 Marshall 1959 Super Lead in the signal chain, clear of 1976 Marshall 1959 Super Lead's own gain stage

Goes in front of the amp

Fender Bubbler Chorus

Fender

26% match
$141.70via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Caroline Guitar Company Somersault Lo-Fi Modulator

Caroline Guitar Company

26% match
$219via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Goes in front of the amp

Dunlop Way Huge WHE701 Aqua Puss

Dunlop

25% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Browne Amplification Sshac

Browne Amplification

24% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Roland CE-5 Chorus Ensemble

Roland

24% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Strymon EC-1

Strymon

24% match
$279via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Crazy Tube Circuits Golden Ratio V2

Crazy Tube Circuits

24% match
$221.98via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Dunlop Blue Hippo Optical Tremolo

Dunlop

24% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

EarthQuaker Devices Aqueduct Eight Modulation Modes

EarthQuaker Devices

24% match
$199via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Red Witch Ivy

Red Witch

23% match
$89.99via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Goes in front of the amp

Pigtronix Constellator

Pigtronix

23% match
$149via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run 1976 Marshall 1959 Super Lead after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Cusack Music Tap-A-Whirl V3

Cusack Music

23% match
$249via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Mr. Black Analog chorus vibrato deluxe

Mr Black

23% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

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