Pedals that stack with the 1976 Marshall 1959 Super Lead

← everything about the 1976 Marshall 1959 Super Lead

All 42 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Maxon PAC9 Pure Analog Chorus

Maxon

23% match
$256.19via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Goes in front of the amp

SolidGoldFX NU-33

Solidgoldfx

23% match
$249via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Goes in front of the amp

Black Rabbit Little Earthquakes

Black Rabbit

23% match
$60via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

T Rex T-Rex Mudhoney II

T Rex

23% match
$112.32via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

TC Electronic 3rd Dimension Chorus

TC Electronic

23% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Goes in front of the amp

Subdecay Vagabond Tremolo

Subdecay

23% match
$169via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Goes in front of the amp

JAM Pedals Waterfall

Jam Pedals

22% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Dophix THE Vitruvian MAN chorus/phaser

Dophix

22% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run 1976 Marshall 1959 Super Lead after it and the warm edge settles into something more bright

Goes in front of the amp

Dunlop MXR M148 Micro Chorus

Dunlop

22% match
$112.05via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Donner Tutti Love

Donner

22% match
$29.99via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Pigtronix Philosopher's Rock

Pigtronix

22% match
$85.50via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

ThorpyFX Fat General V2 Parallel Compressor

ThorpyFX

22% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright

Goes in front of the amp

Mooer Spark Chorus

Mooer

22% match
$98.80via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Mooer Ensemble Queen

Mooer

22% match
$46.90via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead's bright balances out the warm tone

Goes in front of the amp

Donner Yellow Fall

Donner

22% match
$39.95via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run 1976 Marshall 1959 Super Lead after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Pigtronix Gloamer Volume Swell

Pigtronix

20% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Pigtronix Gloamer Volume Swell leans toward smooth, and that's a real, usable character to pair with

Goes in front of the amp

Walrus Audio Fable

Walrus Audio

19% match
$239.99via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable in 1976 Marshall 1959 Super Lead's effects loop, clear of 1976 Marshall 1959 Super Lead's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Suhr Discovery

Suhr

18% match
$579.53via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Suhr Discovery in 1976 Marshall 1959 Super Lead's effects loop, clear of 1976 Marshall 1959 Super Lead's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

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