Pedals that stack with the 1976 Marshall 1959 Super Lead

Beetronics Swarm

The Swarm's experimental, modulated fuzz gives the '76 Super Lead's raw British breakup a genuinely strange new texture to work with.

Browne Amplification Gritador

Push the Plexi's already-driven gain with the Gritador's TS-style asymmetrical clipping for extra midrange push on top of the amp's raw breakup.

Fjord Fuzz Fjaer Spring Reverb

A delicate, lighter-voiced fuzz like the Fjaer still finds real bite once it hits the '76 Super Lead's raw British breakup.

Free The Tone Ambi Space

Keep the Ambi Space's spacious shimmer in the Plexi's loop so it trails the amp's raw breakup instead of getting swallowed by it. — goes in the amp's FX loop (or last, into a clean amp)

Meris LVX Delay

Keep the LVX's complex, studio-grade delay in the '76 Super Lead's loop, clear of the amp's own raw British breakup. — goes in the amp's FX loop (or last, into a clean amp)

SolidGoldFX Oblivion Quad Flange

Run the Oblivion's flange sweep after the Plexi's own raw gain, so the modulation rides on top of an already-driven signal.

Seymour Duncan Vise Grip Compressor

The Vise Grip's transparent compression tightens pick attack before it ever reaches the Plexi's own raw, driven gain.