The Acoustic 270 Amplifier Head is an Acoustic other. It pairs well with the Blackstar Series One 45 and the Carr Bloke Combo Black 1x12.
Acoustic 270 Amplifier Head
Acoustic · other
The Acoustic 270 is a solid-state amplifier head introduced in 1971 by Acoustic Control Corporation of California, delivering 375 watts into 2 ohms or 230 watts into 4 ohms, with a versatile design intended for guitar, bass, keyboards and other electric instruments alike. It carries built-in spring reverb, tremolo and fuzz alongside a graphic EQ section, an unusually feature-rich combination for a solid-state head of its era. Acoustic amplifiers were used onstage in the early 1970s by acts including The Doors, Frank Zappa and Mahavishnu Orchestra. It suits players and collectors wanting a versatile, high-powered vintage solid-state head.
- bass
- eq
- bright
- articulate
- creamy
- harmonic
- presence
- stage
Genres the Acoustic 270 Amplifier Head is commonly used in
- Funk
- Jazz
- Rock
- Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Blues
cited
Inferred from shared tonal signals, not a stated genre tag. - Gospel
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Acoustic 270 Amplifier Head
Blackstar Series One 45
Blackstar
tonal matchRun Blackstar Series One 45 after it and the bright edge settles into something more warm
Carr Bloke Combo Black 1x12
Carr
tonal matchRun Carr Bloke Combo Black 1x12 after it and the bright edge settles into something more warm
Marshall Haze Head 15
Marshall
tonal matchThe high headroom tone has headroom to spare — Marshall Haze Head 15 gives it crunchy to fill it with
Fuchs ODS II Custom 25/50 Combo
Fuchs
tonal matchFuchs ODS II Custom 25/50 Combo's warm balances out the bright tone
Friedman Twin Sister Combo
Friedman
tonal matchFriedman Twin Sister Combo leans warm right where the bright tone needs it
Ampeg V-4
Ampeg
tonal matchWhere this leans bright, Ampeg V-4 answers back warm
Blackstar HT Stage 100 MK III Head
Blackstar
tonal matchThe high headroom tone has headroom to spare — Blackstar HT Stage 100 MK III Head gives it high gain to fill it with
Dumble Steel String Singer
Dumble
tonal matchDumble Steel String Singer's smooth balances out the bright tone
Pedals that stack with the Acoustic 270 Amplifier Head
Beetronics OV-LE-Uva
Beetronics
tonal matchBeetronics OV-LE-Uva's own voicing points at a clean amp's front end, and Acoustic 270 Amplifier Head delivers it
Crazy Tube Circuits Heatseeker Pre-Amp
Crazy Tube Circuits
tonal matchCrazy Tube Circuits Heatseeker Pre-Amp is voiced for a clean amp's front end — Acoustic 270 Amplifier Head gives it exactly that
Tone City King of Blues
Tone City
tonal matchAcoustic 270 Amplifier Head leans into a clean amp's front end, precisely the platform Tone City King of Blues wants
Carl Martin PlexiTone
Carl Martin
tonal matchCarl Martin PlexiTone's own voicing points at a clean amp's front end, and Acoustic 270 Amplifier Head delivers it
Behringer SF300 Super Fuzz
Behringer
tonal matchInto Acoustic 270 Amplifier Head, Behringer SF300 Super Fuzz is right at home: it's built around a clean amp's front end
Carl Martin THE Fuzz
Carl Martin
tonal matchCarl Martin THE Fuzz is voiced for a clean amp's front end — Acoustic 270 Amplifier Head gives it exactly that
Beetronics Larva
Beetronics
tonal matchInto Acoustic 270 Amplifier Head, Beetronics Larva is right at home: it's built around a clean amp's front end
Keeley Electronics Katana Boost
Keeley
tonal matchAcoustic 270 Amplifier Head leans into a clean amp's front end, precisely the platform Keeley Electronics Katana Boost wants
Questions people ask
What pairs well with the Acoustic 270 Amplifier Head?+
Strong matches from rig and tone-complementarity evidence: Blackstar Series One 45, Carr Bloke Combo Black 1x12, Marshall Haze Head 15 — Run Blackstar Series One 45 after it and the bright edge settles into something more warm.