Pedals that stack with the Acoustic Strymon Compadre Dual Voice Compressor

JHS Smiley

The Smiley's clear, compressed fuzz bite stacks with the Compadre's own transparent, studio-grade compression for a controlled push.

Suhr Rufus Reloaded

The Rufus Reloaded's high-gain fuzz-distortion stacks with the Compadre's own transparent, studio-grade compression for controlled sustain.

Fjord Fuzz Thor

Run the Compadre before the Thor for transparent, studio-grade compression before that bold, aggressive psychedelic fuzz kicks in.

Pigtronix Star Eater

Run the Compadre before the Star Eater for transparent, studio-grade compression before that massive, doom-heavy fuzz kicks in.

Matthews Effects The Whaler

Run the Compadre before the Whaler for transparent, studio-grade compression before that heavy, blues-rock fuzz kicks in.

JHS Pedals JHS Coyote Octave Moonrock

Acoustic Strymon Compadre Dual Voice Compressor leans toward compressed, and that's a real, usable character to pair with

Fuzzrocious 420 Fuzz

Run the Compadre before the 420 Fuzz for transparent, studio-grade compression before that smooth, mid-forward fuzz kicks in.

Death By Audio Crossover

Acoustic Strymon Compadre Dual Voice Compressor's own compressed character is the real reason this is worth trying

MXR CSP038 Brown Acid Fuzz

Run the Compadre before the Brown Acid Fuzz for transparent, studio-grade compression before that vintage psychedelic fuzz kicks in.

Spaceman Spacerocket II

Run the Compadre before the Spacerocket II for transparent, studio-grade compression before that boutique boost-fuzz kicks in.

Suhr Rufus, Black Edition

What Acoustic Strymon Compadre Dual Voice Compressor brings here leans toward compressed — that's worth building a pairing around

Meris Polymoon

Keep the Polymoon after the Compadre — the transparent, studio-grade compression stays even and the delay's own modulated repeats trail behind it. — goes in the amp's FX loop (or last, into a clean amp)

Neunaber Wet Mono Reverb Pedal

Keep the Wet reverb after the Compadre — the transparent, studio-grade compression stays even and the reverb adds a muted, subtle tail. — goes in the amp's FX loop (or last, into a clean amp)