Pedals that stack with the Aguilar OBP-2TK

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Spaceman Explorer 6-Stage Phaser after Aguilar OBP-2TK in the signal chain, clear of Aguilar OBP-2TK's own gain stage

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

What Aguilar OBP-2TK brings here leans toward bright — that's worth building a pairing around

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Greer Mizuki blue's warm balances out the bright tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The SFT's warm, compressed overdrive stacks with the OBP-2TK's own boosted bass-treble EQ for a richer push.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

T-Rex Junior Roomate's warm voice goes after Aguilar OBP-2TK in the signal chain — it's not there to compete with Aguilar OBP-2TK's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the DL4 after the OBP-2TK — the boosted bass-treble EQ stays clean and the delay's warm repeats trail behind it. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain