Pedals that stack with the Airis Effects 51-Filthy
← everything about the Airis Effects 51-Filthy
All 56 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ibanez SD9 Sonic Distortion
Ibanez
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight
Comes earlier in the signal chain
SONICAKE King of twins
Sonicake
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy pushes a saturated tone toward tight
Comes earlier in the signal chain
Catalinbread Octapussy
Catalinbread
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy takes that saturated character and pushes it toward tight
Comes earlier in the signal chain
Boss MD-2 Mega Distortion
Boss
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy pushes a saturated tone toward tight
Comes earlier in the signal chain
KMA Machines Mandrake
Kma Machines
19% matchAiris Effects 51-Filthy leans toward tight, and that's a real, usable character to pair with
Comes earlier in the signal chain
Catalinbread Perseus
Catalinbread
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
What Airis Effects 51-Filthy brings here leans toward tight — that's worth building a pairing around
Comes earlier in the signal chain
Malekko Helium MKI
Malekko
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight
Comes earlier in the signal chain
Fortin Amplification Tempest Overdrive Signature Architects
Fortin Amplification
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight
Comes earlier in the signal chain
Keeley octa osi transfigurating fuzz
Keeley
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight
Comes earlier in the signal chain
Fairfield Circuitry Hors D'oeuvre Active Feedback
Fairfield Circuitry
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy pushes a saturated tone toward tight
Comes earlier in the signal chain
MXR Sub Machine
MXR
18% matchAiris Effects 51-Filthy's own tight character is the real reason this is worth trying
Comes earlier in the signal chain
Cusack Music Subfuzz
Cusack Music
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight
Comes earlier in the signal chain
Behringer BM-15M Murf Box
Behringer
18% matchAiris Effects 51-Filthy leans toward tight, and that's a real, usable character to pair with
Comes earlier in the signal chain
Maxon DS830 Distortion Master
Maxon
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight
Comes earlier in the signal chain
Digitech DOD Boneshaker
Digitech
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Stack Airis Effects 51-Filthy on top and a high gain tone tightens toward tight
Comes earlier in the signal chain
Electro-Harmonix Small Stone
Electro-Harmonix
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Put Electro-Harmonix Small Stone after Airis Effects 51-Filthy in the signal chain, clear of Airis Effects 51-Filthy's own gain stage
Comes earlier in the signal chain
Friedman IR-X Dual Tube Preamp
Friedman
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight
Gamechanger Audio Plasma Coil
Gamechanger Audio
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy takes that saturated character and pushes it toward tight
Comes earlier in the signal chain
Mooer Blade
Mooer
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight
Comes earlier in the signal chain
NuX Ace of Tone Dual Overdrive
Nux
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy takes that saturated character and pushes it toward tight
Comes earlier in the signal chain
Matthews Effects The Cartographer Parametric Overdrive
Matthews Effects
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight
Comes earlier in the signal chain
Walrus Audio Ages 5-state
Walrus Audio
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Airis Effects 51-Filthy takes that saturated character and pushes it toward tight
Comes earlier in the signal chain
Electronic Audio Experiments Citadel
Electronic Audio Experiments
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Airis Effects 51-Filthy pushes a high gain tone toward tight
Comes earlier in the signal chain
Source Audio Spectrum
Source Audio
17% matchBoth lean toward full and tight respectively — close enough in character that they complement instead of clashing
Comes earlier in the signal chain
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