Pedals that stack with the Airis Effects 51-Filthy

← everything about the Airis Effects 51-Filthy

All 56 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Joyo R-03 Uzi

Joyo

17% match

Airis Effects 51-Filthy leans toward tight, and that's a real, usable character to pair with

Comes earlier in the signal chain

Fender Godzilla Distortion Limited Edition

Fender

16% match

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight

Comes earlier in the signal chain

Fortin Amplification Kali Pre-Amp

Fortin Amplification

16% match
$357.59via Reverb

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

T Rex T-Rex Mean Machine

T Rex

15% match
$207.55via Reverb

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight

Comes earlier in the signal chain

Hotone Chunk Distortion

Hotone

15% match

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight

Comes earlier in the signal chain

MXR Analog Delay

MXR

14% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put MXR Analog Delay after Airis Effects 51-Filthy in the signal chain, clear of Airis Effects 51-Filthy's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Strymon TimeLine

Strymon

13% match
$415.74via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon TimeLine after Airis Effects 51-Filthy in the signal chain, clear of Airis Effects 51-Filthy's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

MXL MXR Randy Rhoads Concorde Distortion

Mxl

12% match

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

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