Alexander Dynaflanger

Friedman BE-Mini Head

The low gain tone has headroom to spare — Friedman BE-Mini Head gives it high gain to fill it with

Hughes & Kettner Warp 7

Into a low gain tone, Hughes & Kettner Warp 7 brings the high gain it's missing

Synergy SL2 Module

Into a low gain tone, Synergy SL2 Module brings the high gain it's missing

Hiwatt Hi-Gain 100W Head

Into a low gain tone, Hiwatt Hi-Gain 100W Head brings the high gain it's missing

Hughes & Kettner Coreblade

Run Hughes & Kettner Coreblade into that low gain platform and it finally gets some high gain

Friedman Phil X Signature

Run Friedman Phil X Signature into that low gain platform and it finally gets some high gain

EVH 000

EVH 000's high gain fills in what this low gain tone doesn't make on its own

ENGL Marty Friedman Inferno E766

The low gain tone has headroom to spare — ENGL Marty Friedman Inferno E766 gives it high gain to fill it with

Fjord Fuzz Odin

Run the Dynaflanger's stereo sweep ahead of Odin's doom-heavy fuzz so the flange still has a clean signal before the fuzz piles on that much gain.

EarthQuaker Devices Dirt Transmitter

The Dirt Transmitter's low-noise, stackable drive gives the Dynaflanger's subtle sweep some gain to ride on without adding hiss.

Sonicake Factory Acoustic Preamp

Run the Dynaflanger's subtle stereo flange after the Sonicake preamp's natural acoustic voicing does its EQ work first.

Ortega MagusPRO/B

Run the Dynaflanger's subtle sweep after the MagusPRO/B's natural, thin-voiced bass preamp shapes the tone first.

Tomsline Toms Line AAS-3 AC Stage Acoustic

Keep the Dynaflanger's sweep after the AAS-3's acoustic-voiced EQ, so the flange doesn't fight the preamp's own tone shaping.

Alexander Pedals SpaceXpander

Keep the SpaceXpander's spring-voiced reverb trailing after the Dynaflanger's subtle stereo sweep, not before, or the reverb just smears the flange. — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Afterneath

Put the Afterneath's ambient, pitch-shifted reverb after the Dynaflanger, not before, so the flange sweep stays defined instead of chasing the reverb's own decay. — goes in the amp's FX loop (or last, into a clean amp)

Cusack Music Carolina Reaper Overdrive Fuzz

Into a low gain tone, Cusack Music Carolina Reaper Overdrive Fuzz brings the high gain it's missing