Pedals that stack with the Alexander Pedals Now We Are Ghosts Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after Cusack Music Metaplexi in the signal chain, clear of Cusack Music Metaplexi's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Warm Audio Dirty Boy Jr. Overdrive in the signal chain, clear of Warm Audio Dirty Boy Jr. Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb after Jackson Audio Silvertone 1484 Twin Twelve in the signal chain, clear of Jackson Audio Silvertone 1484 Twin Twelve's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Keeley KTM-B Time Machine Boost in the signal chain — it's not there to compete with Keeley KTM-B Time Machine Boost's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after Free The Tone ODL-1 Overdriveland Standard in the signal chain, clear of Free The Tone ODL-1 Overdriveland Standard's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Electro-Harmonix Expression in the signal chain, clear of Electro-Harmonix Expression's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Walrus Audio Deep Six Compressor V3 in the signal chain, where it won't crowd Walrus Audio Deep Six Compressor V3

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after JHS 424 Gain Stage in the signal chain — it's not there to compete with JHS 424 Gain Stage's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after MXR M-251 FOD Drive in the signal chain, clear of MXR M-251 FOD Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after SahBro Audio Bad Apple in the signal chain, where it won't crowd SahBro Audio Bad Apple

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Danelectro CEO in the signal chain — it's not there to compete with Danelectro CEO's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Kokko FCP2 Mini Compressor in the signal chain — it's not there to compete with Kokko FCP2 Mini Compressor's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fairfield Circuitry Accountant's compressed voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after Fairfield Circuitry Accountant in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after Beetronics Custom Shop Fatbee Alliance Overdrive in the signal chain, clear of Beetronics Custom Shop Fatbee Alliance Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Strymon Compadre Dual Voice Compressor in the signal chain — it's not there to compete with Strymon Compadre Dual Voice Compressor's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after One Control Lemon Yellow Compressor in the signal chain, where it won't crowd One Control Lemon Yellow Compressor

Comes earlier in the signal chain