Pedals that stack with the Ampeg RB-112 Rocket Bass 100-Watt Combo Bass
← everything about the Ampeg RB-112 Rocket Bass 100-Watt Combo Bass
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
Run Ashdown Geezer Butler Signature into that high headroom platform and it finally leans toward low gain
Goes in front of the amp
Catalinbread SFT
Catalinbread
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Catalinbread SFT leans warm right where the bright tone needs it
Goes in front of the amp
Mesa Boogie Flux-Drive
Mesa Boogie
20% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → crunchy)
Mesa Boogie Flux-Drive leans this high headroom tone toward crunchy, which it doesn't make on its own
Goes in front of the amp
Walrus Audio Monument CS
Walrus Audio
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Monument CS after Ampeg RB-112 Rocket Bass 100-Watt Combo Bass in the signal chain, clear of Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's own gain stage
Goes in front of the amp
Ampeg Opto Comp Compressor
Ampeg
11% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)
Ampeg Opto Comp Compressor leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
JAM Pedals Delay-Llama
Jam Pedals
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep JAM Pedals Delay-Llama in Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's effects loop, clear of Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Strymon TimeLine
Strymon
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's bright voice out front: Strymon TimeLine goes in Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's effects loop so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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