Pedals that stack with the Ampeg Rocket Bass 210
← everything about the Ampeg Rocket Bass 210
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Univox Super-Fuzz
Univox
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Univox Super-Fuzz is voiced for a clean amp's front end — Ampeg Rocket Bass 210 gives it exactly that
Goes in front of the amp
Friedman BE-OD
Friedman
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The BE-OD's tight, hard-rock gain pushes the Rocket Bass 210's warm, articulate voice into real distortion.
Goes in front of the amp
Ashdown Geezer Butler Signature
Ashdown
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Ashdown Geezer Butler Signature's bright balances out the warm tone
Goes in front of the amp
Walrus Audio Lillian
Walrus Audio
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Ampeg Rocket Bass 210's warm voice out front: Walrus Audio Lillian goes after Ampeg Rocket Bass 210 in the signal chain so its bright voice doesn't muddy it
Goes in front of the amp
Boss Monte Allums Modded MT-2
Boss
12% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What Ampeg Rocket Bass 210 brings here leans toward warm — that's worth building a pairing around
Goes in front of the amp
Strymon El Capistan
Strymon
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Strymon El Capistan in Ampeg Rocket Bass 210's effects loop, clear of Ampeg Rocket Bass 210's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss DD-200 Digital Delay
Boss
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Boss DD-200 Digital Delay in Ampeg Rocket Bass 210's effects loop, clear of Ampeg Rocket Bass 210's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop