Amps that pair well with the Anarchy Audio Flutterby Tremolo

PRS HX 50 Head

Into the HX 50's transformer-driven tube distortion, Flutterby's asymmetrical tremolo pulse stays defined instead of getting swallowed by gain.

Peavey MAX 150 150W 1x12 Bass Combo

Into the MAX 150's mid-forward bass EQ, Flutterby's asymmetrical tremolo pulse stays defined instead of getting buried.

Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube

Run the Flutterby after the Savage's gain stage — its optical tremolo pulses cleanly instead of tripping over the amp's saturation.

Brunetti Singleman H 50/15/2W Head 230

Keep Flutterby's asymmetrical tremolo after the Singleman's studio-grade tube saturation — the pulse chops a settled tone.

Blackstar HT Club 100 HTV-100 MKIII 100-Watt

Run Flutterby's optical tremolo pulse after the HT Club 100's own clean American-British voice settles, so the modulation moves a defined tone.

Blackstar Series One 200 Top MkI Head 200Watt

Run Flutterby's optical tremolo pulse after the Series One 200's own headroom-rich clean settles, so the modulation moves a defined tone.

EVH 5150 Iconic Series 60W 2x12 Combo

Keep Flutterby's asymmetrical tremolo after the 5150 Iconic's tight, punchy crunch — the pulse chops a settled tone.

Randall Diavlo RH5H Head with RG8 Cabinet

Run Flutterby's optical tremolo pulse after the Diavlo's aggressive metal saturation settles, so the modulation moves a defined tone.

PRS DGT 15

Keep Flutterby's vintage tremolo after the DGT 15's own studio-grade tube saturation — the pulse chops a settled tone.

Diezel Paul 45W Head

Run Flutterby's optical tremolo pulse after the Diezel Paul's own Texas-blues clean settles, so the modulation moves a defined tone.

Engl Savage 60 MK II

Run Flutterby's optical tremolo pulse after the Savage 60's own rich, full-headroom saturation settles, so the modulation moves a defined tone.