Pedals that stack with the Aphex Punch Factory Compressor
← everything about the Aphex Punch Factory Compressor
All 11 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Walrus Audio Eons
Walrus Audio
23% matchKeep Eons' thick, low-gain fuzz ahead of the Punch Factory so the optical compression evens out a settled gain stage.
Dr. Scientist Frazz Dazzler
Dr Scientist
22% matchThe Frazz Dazzler's gated, low-gain fuzz gives the Punch Factory's optical punch somewhere to land without losing its attack.
Wren and Cuff Anna Compact
Wren And Cuff
14% matchRun the Punch Factory's optical compression ahead of Anna Compact for even attack before the rich, Big-Muff-style fuzz reacts.
Tech 21 SansAmp Character Plus English Muffy
Tech 21
12% matchRun the Punch Factory's optical compression ahead of the English Muffy for even attack before the direct-recording amp sim reacts.
Death By Audio Destruction
Death By Audio
11% matchRun the Punch Factory's optical compression ahead of Destruction for even attack before the heavy-rock noise and gain react.
Spaceman Saturn VI
Spaceman
11% matchRun the Punch Factory's optical compression ahead of Saturn VI for even attack before the creamy, experimental drive reacts.
Spaceman Nebula (Gloss Steel)
Spaceman
10% matchRun the Punch Factory's optical compression ahead of Nebula for even attack before the experimental octave fuzz reacts.
Fender Hello Kitty Fuzz
Fender
10% matchAphex Punch Factory Compressor's own transparent character is the real reason this is worth trying
SolidGoldFX 76 MK II
Solidgoldfx
10% matchRun the Punch Factory's optical compression ahead of the 76 MK II for even attack before the boutique fuzz reacts.
Neunaber Wet Mono Reverb Pedal
pedal
10% matchKeep the Wet's muted studio reverb trailing after the Punch Factory's optical compression, not before, or the reverb just smears the punch. — goes in the amp's FX loop (or last, into a clean amp)
Boss RV-5 Digital Reverb
pedal
9% matchKeep the RV-5's spring-voiced digital reverb trailing after the Punch Factory's optical compression, not before, or the reverb just smears the punch. — goes in the amp's FX loop (or last, into a clean amp)