The Aria Lil' RAT Distortion is an Aria distortion pedal. Close alternatives include the Dunlop MXR M94SE Super Badass Distortion and the Dunlop Distortion III. It pairs well with the Marshall Bluesbreaker and the Laney LA30BL 30W Tube Amplifier.
Aria Lil' RAT Distortion
Aria · pedal
The Aria Lil RAT Distortion is the ProCo Lil RAT mini distortion pedal distributed through Aria in the UK. The ProCo Lil RAT packs the full 100-percent analog circuit of the classic ProCo RAT2 into a mini enclosure just over 2 inches wide. Controls include Distortion (gain), Filter (high-frequency rolloff), and Volume, mirroring the full-size RAT circuit and LM308-based clipping character. True bypass, rear-mounted jacks. 9V battery or standard center-negative power. The RAT circuit covers heavy crunch and saturated distortion used across rock, metal, and alternative guitar for decades.
- distortion
- analog
- clipping
- filter
- bypass
- metal
- authentic proco rat tone
- compression
Good for
- Busking
- Live
Genres the Aria Lil' RAT Distortion is commonly used in
- Alternative Rock
- Rock
- Metal
- Hard Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Punk
cited
Inferred from shared tonal signals, not a stated genre tag. - Classic Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Aria Lil' RAT Distortion
Marshall Bluesbreaker
Marshall
38% matchInto the Bluesbreaker's natural, compressed tube breakup, the Lil' RAT's analog clipping pushes real vintage grit.
Laney LA30BL 30W Tube Amplifier
Laney
36% matchInto the LA30BL's dynamic, midrange-forward tube breakup, the Lil' RAT's analog clipping cuts through instead of piling on more mud.
Ampeg V-4
Ampeg
tonal matchFeed a crunchy signal into Ampeg V-4 and it comes out closer to mid-forward
Harmony H650
Harmony
tonal matchStack Harmony H650 on top and a crunchy tone tightens toward mid-forward
Ceriatone HRM 50
Ceriatone
tonal matchStack Ceriatone HRM 50 on top and a crunchy tone tightens toward mid-forward
Ceriatone Overtone Special HRM Bluesmaster 50
Ceriatone
tonal matchFeed a crunchy signal into Ceriatone Overtone Special HRM Bluesmaster 50 and it comes out closer to mid-forward
Ampeg V4-B Head
Ampeg
tonal matchRun Ampeg V4-B Head after it and the bright edge settles into something more smooth
Marshall JTM45 45W Tube Guitar Amp Head
amplifier
tonal matchFeed a crunchy signal into Marshall JTM45 45W Tube Guitar Amp Head and it comes out closer to mid-forward
Pedals that stack with the Aria Lil' RAT Distortion
Electro-Harmonix Green Russian Big Muff
Electro-Harmonix
17% matchThe Green Russian's smooth, sustaining Muff fuzz gives the Lil' RAT's analog clipping somewhere heavier to land.
Dunlop MXR Distortion Plus
Dunlop
16% matchThe Distortion Plus's warm, compressed clipping stacks with the Lil' RAT's own analog clipping for two distinct gain stages.
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
14% matchRun the Rotosphere's Leslie-style swirl after the Lil' RAT's own analog clipping settles, so the modulation moves a defined tone.
Ashdown Velvet Compressor
Ashdown
12% matchRun the Velvet Compressor ahead of the Lil' RAT for even attack and decay before the analog clipping reacts.
Caroline Guitar Company Kilobyte
Caroline Guitar Company
9% matchKeep the Kilobyte's digital echoes trailing after the Lil' RAT's analog clipping, not before, or the delay repeats an unshaped signal. — goes in the amp's FX loop (or last, into a clean amp)
Dunlop - MXR Carbon Copy Deluxe Analog Delay
Dunlop
8% matchRun the Carbon Copy Deluxe's warm analog delay after the Lil' RAT's clipping settles, so the repeats trail a defined tone. — goes in the amp's FX loop (or last, into a clean amp)
Friedman Buxom Boost
Friedman
tonal matchAria Lil' RAT Distortion leans into a high-gain amp's front end, precisely the platform Friedman Buxom Boost wants
Fortin Amplification Tempest Overdrive Signature Architects
Fortin Amplification
tonal matchFortin Amplification Tempest Overdrive Signature Architects is voiced for a high-gain amp's front end — Aria Lil' RAT Distortion gives it exactly that
Alternativessee all similar tone character →
Dunlop MXR M94SE Super Badass Distortion
Dunlop
73% similarityShared character: crunch, distortion, alternative
Dunlop Distortion III
Dunlop
72% similarityShared character: treble, aggressive_playing, crunch
Walrus Audio Fundamental Distortion
Walrus Audio
72% similarityShared character: volume, crunch, distortion
Dunlop MXR Randy Rhoads Concorde Distortion, model RR104C
Dunlop
71% similarityShared character: compression, distortion, alternative
Tone City Mickey
Tone City
70% similarityShared character: volume, crunch, distortion
MXR Super Badass Distortion
MXR
70% similarityShared character: treble, crunch, distortion
Tech 21 CompTortion
Tech 21
70% similarityShared character: compression, distortion, analog
Line 6 Crunchtone Overdrive
Line 6
70% similarityShared character: treble, compression, crunch
Donner Big Mouth Distortion
Donner
70% similarityShared character: true_bypass, crunch, distortion
Crazy Tube Circuits Killer V California Style Preamp/Vibrato
Crazy Tube Circuits
70% similarityShared character: compression, distortion, alternative
Ibanez TS9 Tube Screamer
Ibanez
70% similarityShared character: volume, true_bypass, compression
Electro-Harmonix Micro Metal Muff TOP Boost
Electro-Harmonix
70% similarityShared character: distortion, metal, boost
See all alternatives to the Aria Lil' RAT Distortion (cheaper + boutique) →
Questions people ask
What are good alternatives to the Aria Lil' RAT Distortion?+
The closest matches in character are the Dunlop MXR M94SE Super Badass Distortion, the Dunlop Distortion III, the Walrus Audio Fundamental Distortion.
What pairs well with the Aria Lil' RAT Distortion?+
Strong matches from rig and tone-complementarity evidence: Marshall Bluesbreaker, Laney LA30BL 30W Tube Amplifier, Ampeg V-4 — Into the Bluesbreaker's natural, compressed tube breakup, the Lil' RAT's analog clipping pushes real vintage grit..
Compare
- vs Dunlop MXR Distortion Plus
- vs Benson Amps Portable Distortion 424 MKII
- vs Boss SD-1 Super OverDrive