Pedals that stack with the Ashdown Triple Shot

Electro-Harmonix Green Russian Big Muff

The ADM3S-U's driven midrange treble feeds the Green Russian's smooth, sustained Muff fuzz a brighter signal to saturate.

ZVEX Fuzz Factory

The Fuzz Factory's unpredictable germanium gating pushes hard against the Triple Shot's driven midrange overdrive.

MXR Analog Chorus

Layer the Analog Chorus's thick, syrupy swirl on top of the Triple Shot's dark drive for a wider low end, not a cleaner one.

Greer Royal Velvet

The Royal Velvet's smooth, velvety fuzz thickens the Triple Shot's dark bass drive into something rounder rather than just louder.

Way Huge Electronics Green Rhino MkII Overdrive

Ashdown Triple Shot leans toward bright, and that's a real, usable character to pair with

Maxon FV10 Fuzz Elements Void

Fuzz Elements Void's dark, scooped, resonant sustain gives Triple Shot's bass drive somewhere heavier to land.

Electro-Harmonix Big Muff PI- Made

The Big Muff PI-Made's scooped, sustaining fuzz gives Triple Shot's bass drive somewhere heavier to land.

Electro-Harmonix Nano Big Muff Pi

The Nano Big Muff's scooped, sustaining fuzz gives Triple Shot's bass drive somewhere heavier to land.

JHS Pedals JHS Muffuletta

Muffuletta's attack-forward Big-Muff sustain gives Triple Shot's bass drive somewhere heavier to land.

Mooer Triangle

The Triangle's scooped Big-Muff fuzz gives Triple Shot's bass drive somewhere heavier to land.

Electro-Harmonix Op-Amp Big Muff

The Op-Amp Big Muff's massive, shoegaze-voiced sustain gives Triple Shot's bass drive somewhere heavier to land.

Menatone None More Black

None More Black's dark, doom-voiced distortion gives Triple Shot's bass drive real heaviness.

Strymon Iridium

Iridium's silent, high-gain direct-recording preamp stacks with Triple Shot's own bass drive for a richer push.

Blackstar LT Dual

The LT Dual's British-American gain stacks with Triple Shot's own frequency-shaped bass drive for a thicker rhythm push.

Catalinbread SFT Ampeg Flip-Top Style Overdrive

The Flip-Top SFT's organic, studio-voiced bass overdrive stacks with Triple Shot's own frequency-shaped drive for a richer push.

Wampler Paisley Drive

Feed a crunchy signal into Ashdown Triple Shot and it comes out closer to mid-forward

Wren and Cuff Super Russian

Feed a scooped signal into Ashdown Triple Shot and it comes out closer to mid-forward

Mooer Micro Preamp 008 Cali 3

Cali 3's recognizable American lead preamp stacks with Triple Shot's own bass drive for a richer, fusion-voiced push.

Mooer MFZ2 Triangle Buff

The Triangle Buff's scooped Big-Muff sustain gives Triple Shot's bass drive somewhere heavier to land.

EarthQuaker Devices Hizumitas-Pba

Hizumitas-Pba's scooped, drone-heavy Muff fuzz gives Triple Shot's bass drive somewhere heavier to land.

Crazy Tube Circuits Stardust Overdrive

Stardust's warm, natural vintage overdrive gives Triple Shot's bass drive a fuller, more boutique gain stage.

Wren and Cuff Gold Comp

Run the Gold Comp before the Triple Shot to even out attack, with a bit of germanium grit riding along for free.

Electronic Audio Experiments Citadel JFet Master Lead

The Citadel's warm, dynamic JFET distortion stacks with Triple Shot's own frequency-shaped bass drive for a richer push.

T-Rex Fat Shuga

Run Ashdown Triple Shot after it and the warm edge settles into something more bright