Pedals that stack with the Ashdown Velvet Compressor
← everything about the Ashdown Velvet Compressor
All 129 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
JHS PackRat 9-Way Rodent Distortion
JHS Pedals
33% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own
Comes later in the signal chain
Origin Effects RevivalDrive
Origin Effects
33% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, Origin Effects RevivalDrive brings a pull toward compressed that's missing
Comes later in the signal chain
Ibanez Tube Screamer
Ibanez
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Screamer's mid-forward boost pushes into the Velvet Compressor's smooth, low-noise squash for a driven signal.
Comes later in the signal chain
EarthQuaker Devices Chelsea
EarthQuaker Devices
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Velvet Compressor's smooth, low-noise squash evens the signal before the Chelsea's bright, British-voiced drive.
Comes later in the signal chain
Ashdown Double Shot
Ashdown
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
MXR 108 Fuzz
MXR
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
Keeley Muse Driver
Keeley
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
SolidGoldFX Imperial BC183
Solidgoldfx
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Imperial's bright, cutting silicon fuzz responds a lot more evenly once the Velvet's smooth compression runs ahead of it.
Comes later in the signal chain
Ashdown James LoMenzo Mega Drive
Ashdown
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor leans toward compressed, and that's a real, usable character to pair with
Comes later in the signal chain
MXR M281 Thump
MXR
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor leans toward compressed, and that's a real, usable character to pair with
Comes later in the signal chain
Dallas Rangemaster Treble Booster
Dallas
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Velvet Compressor's smooth, low-noise squash feeds the Rangemaster a steady signal, letting its germanium clipping react predictably to dynamics rather than erratic pick attack.
Comes later in the signal chain
ZVEX Fuzz Factory
Zvex
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Velvet Compressor's smooth squash tames the Fuzz Factory's unpredictable germanium gating before it kicks in.
Comes later in the signal chain
Ibanez Jemini
Ibanez
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
Electro-Harmonix Big Muff Pi with Tone Wicker
pedal
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around
Comes later in the signal chain
Beetronics Fatbee JFET Overdrive
Beetronics
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
The Sound of Justice FX Star-Lord
The Sound Of Justice Fx
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor leans toward compressed, and that's a real, usable character to pair with
Comes later in the signal chain
MXR Custom Shop Joe Bonamassa CSP265 FET Driver
pedal
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
JHS Legends Series Smiley 1969 London Fuzz
JHS Pedals
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
Xotic ACB-V2
Xotic
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor leans toward compressed, and that's a real, usable character to pair with
Comes later in the signal chain
Tru-Fi Rangemaster Fuzz
Tru Fi
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around
Comes later in the signal chain
Aguilar DB 925
Aguilar
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes later in the signal chain
Suhr Shiba Mini Overdrive
Suhr
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around
Comes later in the signal chain
Ashdown Pro-FX Two-Band Boost
Ashdown
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor leans toward compressed, and that's a real, usable character to pair with
Comes later in the signal chain
Ampeg Classic Analog Bass Preamp pedal
Ampeg
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor leans toward compressed, and that's a real, usable character to pair with
Comes later in the signal chain