Pedals that stack with the Bad Cat Cub

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Providence RED Rock OD ROD-1's harmonically rich character and Bad Cat Cub's harmonically rich voice sit in the same lane rather than fighting each other

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's squash evens pick dynamics before the Bad Cat Cub's chiming, dynamic clean breakup.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Carbon Copy Mini's ambient slapback sits well in the Bad Cat Cub's loop, clear of the amp's own dynamics. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Bad Cat Cub's effects loop — it's not there to compete with Bad Cat Cub's own harmonically rich character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop