The Bad Cat Lynx is a Bad Cat amplifier. Close alternatives include the 1970s Mesa/Boogie Mark I 'Snake King' and the Fryette Deliverance II. It pairs well with the Greer Royal Velvet and the Carl Martin PlexiTone.
Bad Cat Lynx
Bad Cat · amplifier
The Bad Cat Lynx is a high-gain boutique tube guitar amplifier featuring seven gain stages, designed to deliver modern high-gain saturation with the organic, responsive feel characteristic of Bad Cat amplifiers. Reviewers describe its gain character as combining elements of the Soldano SLO and Marshall with enhanced midrange control, producing thick, dense, immediate lead tones with a distinctive voice. A separate clean channel delivers exceptional clean tone praised as among the best available in a channel-switching amp. Notable players including Steven Wilson of Porcupine Tree have used the Lynx on tour. Despite this, it remains obscure relative to other Bad Cat models with limited demo availability.
- clean
- high gain
- saturation
- modern
- organic
- thick
- full
- stage
Good for
- Live
- Studio
Genres the Bad Cat Lynx is commonly used in
- Progressive Rock
- Rock
- Hard Rock
- Metal
- Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Classic Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Pedals that stack with the Bad Cat Lynx
Greer Royal Velvet
Greer
25% matchGreer Royal Velvet layers fuzzy onto an already mid-forward signal
Carl Martin PlexiTone
Carl Martin
20% matchStack Carl Martin PlexiTone on top and a high gain tone tightens toward clean boost
Colorsound Overdriver
pedal
19% matchColorsound Overdriver takes that high gain character and pushes it toward clean boost
Audiocade 1974 Colorsound Tremolo Clone
Audiocade
15% matchAudiocade 1974 Colorsound Tremolo Clone's own voicing points at Vox-style amps, and Bad Cat Lynx delivers it
Walrus Audio Fathom
Walrus Audio
11% matchKeep Walrus Audio Fathom in Bad Cat Lynx's effects loop, clear of Bad Cat Lynx's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Mooer A7 Ambience
Mooer
11% matchRun Mooer A7 Ambience in Bad Cat Lynx's effects loop, clear of Bad Cat Lynx's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Warm Audio Pedal 76 Compressor
Warm Audio
11% matchWhat Warm Audio Pedal 76 Compressor brings here leans toward tight — that's worth building a pairing around
Suhr Eclipse
Suhr
tonal matchBad Cat Lynx leans into a clean amp's front end, precisely the platform Suhr Eclipse wants
Alternativessee all similar tone character →
1970s Mesa/Boogie Mark I 'Snake King'
Mesa Boogie
96% similaritysimilar tone character
Fryette Deliverance II
Fryette
95% similaritysimilar tone character
Bogner Ecstasy 3534
Bogner
95% similaritysimilar tone character
PRS MT100
PRS
95% similaritysimilar tone character
Rivera Bonehead
Rivera
94% similaritysimilar tone character
Revv Generator 100P MkIII 3-Channel Head
Revv
94% similaritysimilar tone character
3rd Power DRGN-100
3rd Power
94% similaritysimilar tone character
Music Man 410 Sixty Five
Music Man
94% similaritysimilar tone character
Mesa Boogie Mark Five:25 1x12 Combo
Mesa Boogie
94% similaritysimilar tone character
Mesa Boogie Mark I
Mesa Boogie
94% similaritysimilar tone character
Ceriatone Chupacabra 50
Ceriatone
94% similaritysimilar tone character
Bad Cat Lynx 50
Bad Cat
94% similaritysimilar tone character
See all alternatives to the Bad Cat Lynx (cheaper + boutique) →
Questions people ask
What are good alternatives to the Bad Cat Lynx?+
The closest matches in character are the 1970s Mesa/Boogie Mark I 'Snake King', the Fryette Deliverance II, the Bogner Ecstasy 3534.
What pairs well with the Bad Cat Lynx?+
Strong matches from rig and tone-complementarity evidence: Greer Royal Velvet, Carl Martin PlexiTone, Colorsound Overdriver — Greer Royal Velvet layers fuzzy onto an already mid-forward signal.