Pedals that stack with the Beetronics Overhive

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Beetronics Overhive in the signal chain, clear of Beetronics Overhive's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

MXR Distortion + (Script Logo)'s transparent character and Beetronics Overhive's transparent voice sit in the same lane rather than fighting each other

Comes later in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying

Comes earlier in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes earlier in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Beetronics Overhive leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

Beetronics Overhive leans toward transparent, and that's a real, usable character to pair with

Comes earlier in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Beetronics Overhive leans toward transparent, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Beetronics Overhive leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying

Comes earlier in the signal chain

Beetronics Overhive's own transparent character is the real reason this is worth trying

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain