Amps that pair well with the Beetronics Swarm

Stack the Swarm's modulated fuzz in front of the Bluesbreaker's own round overdrive for something stranger than either pedal gives you alone.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Magnatone 280 layers modulated onto an already fuzzy signal

Comes later in the signal chain

Dumble Overdrive Special Amp Head's own dynamic character is the real reason this is worth trying

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The P50 is built as a pedal platform — the Swarm's modulated fuzz gives it something stranger than its own British crunch.

Comes later in the signal chain

Push the Cub's chiming clean with the Swarm's thick fuzz and the harmonics bloom instead of turning to mush.

Comes later in the signal chain

The Traynor SB106's clean, practice-oriented bass EQ gives the Swarm's modulated fuzz textures a straightforward platform.

Comes later in the signal chain

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Stack the Swarm's psychedelic fuzz into the Dragon 25's already-sagging Plexi-style saturation for a thicker, more chaotic breakup.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Beetronics Swarm for more fuzzy on top

Comes later in the signal chain

Stack the Swarm's own modulated fuzz on the CEB-3's stereo bass chorus and the two modulation sources compound into something strange.

Comes later in the signal chain

The Unity 500's transparent, mid-forward preamp headroom gives the Swarm's experimental fuzz real room to bloom.

Comes later in the signal chain

Run Beetronics Swarm into that high headroom platform and it finally leans toward fuzzy

Comes later in the signal chain

Into the Overtone Special's vocal, pedal-friendly clean platform, the Swarm's experimental fuzz has real room to bloom.

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The FBT 300's thick midrange growl gives the Swarm's fuzz low end to push against instead of flubbing out.

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The Origin 20's gigging-ready tube crunch gives the Swarm's modulated fuzz textures a driven amp voice to layer onto.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

That raw, garage-blues breakup on the Amulet gives the Swarm's fuzz a vintage roots amp to snarl through.

Comes later in the signal chain

Run Beetronics Swarm into that high headroom platform and it finally leans toward fuzzy

Comes later in the signal chain

The Compact 8's clear, high-fidelity response gives the Swarm's experimental fuzz a full, gigging-ready amp voice to push into.

Comes later in the signal chain

The Starlite's harmonic, spring-reverbed American voice gives the Swarm's experimental fuzz a warm amp platform.

Comes later in the signal chain

Into the AC-50's rich, punchy tube clarity, the Swarm's experimental fuzz has plenty of amp character to push into.

Comes later in the signal chain

Both lean vintage and spongy, so the Swarm's fuzz sits naturally in that chimey tweed breakup instead of clashing.

Comes later in the signal chain

Beetronics Swarm leans this high headroom tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain