Amps that pair well with the Beetronics Swarm

Bad Cat Hot Cat

The Swarm's experimental, modulated fuzz gives the Hot Cat's responsive, British clean voice a genuinely strange new texture.

Cornell Romany 10 Tweed 10 watt Tube

Both lean vintage and spongy, so the Swarm's fuzz sits naturally in that chimey tweed breakup instead of clashing.

Brunetti Singleman 30 Combo

Push the Singleman's organic, harmonic crunch with the Swarm's own experimental fuzz and the saturation compounds fast.

Mesa Boogie F-30 1x12 Combo

The F-30's rich, bluesy crunch gives the Swarm's fuzz a warm bed instead of a sterile clean channel to fight.

Hughes & Kettner TriAmp MK1

The TriAmp's versatile, genre-spanning gain gives the Swarm's experimental fuzz a huge range of amp voices to push into.

Quilter Aviator CUB

The Aviator CUB's chimey, touch-responsive pedal platform gives the Swarm's experimental fuzz a reliable amp voice to push into.

PRS MT 15 V1 Mark Tremonti Signature 2-Channel 15W Head

Into the MT 15's clear, modern high-gain channel, the Swarm's experimental fuzz has plenty of amp character to push into.

Peavey Classic 30 II 2-Channel 30W 1x12 Combo

The Classic 30 was built for studio work, and its warm midrange drive keeps the Swarm's fuzz dynamic under the tube compression.

Milkman Sound Beekeeper 18W 4x8 Combo

Feed the Beekeeper's chimey, sagging clean platform with the Swarm and the fuzz gets a vintage compression to lean into.

Gallien-Krueger Fusion 500 S

On a bright hybrid-tube stage rig like the Fusion 500, the Swarm's fuzz harmonics stay clear instead of turning to mush.

Magnatone Starlite Reverb 10

The Starlite's harmonic, spring-reverbed American voice gives the Swarm's experimental fuzz a warm amp platform.

Soldano SLO 100R

The SLO 100R's quiet, studio-grade headroom gives the Swarm's experimental fuzz a genuinely clean amp platform to push into.

Blackstar Studio 10 KT88 Limited Edition

Into the Studio 10's British, midrange-forward recording tone, the Swarm's experimental fuzz has real amp character to push into.

Blackstar HTV-212 Bronco TAN

The Bronco TAN's articulate, balanced midrange gives the Swarm's experimental fuzz a durable amp voice to push into.

Carvin Legacy 1 VL100 100W Amp Head

The Legacy 1's dynamic, touring-grade high gain gives the Swarm's experimental fuzz a huge amp voice to push into.

Marshall DSL5CR

Into the DSL5CR's warm, high-gain tube channel, the Swarm's experimental fuzz has plenty of saturation to push into.

Mesa Boogie Lone Star Head

Push the Lone Star's articulate clean channel with the Swarm and its fuzz harmonics come through instead of smearing.

Fuchs FBT 300

The FBT 300's thick midrange growl gives the Swarm's fuzz low end to push against instead of flubbing out.

Blackstar Unity 500

The Unity 500's transparent, mid-forward preamp headroom gives the Swarm's experimental fuzz real room to bloom.

Traynor AM Standard

Push the AM Standard's natural, vocal-forward clean voice with the Swarm's own experimental fuzz and the two compound fast.

Boss CEB-3 Bass Chorus Ensemble

Stack the Swarm's own modulated fuzz on the CEB-3's stereo bass chorus and the two modulation sources compound into something strange.

Ceriatone Overtone Special

Into the Overtone Special's vocal, pedal-friendly clean platform, the Swarm's experimental fuzz has real room to bloom.

Laney Richter RB2 Bass Combo

At bedroom and rehearsal volumes, the Richter RB2 still stays clear enough for the Swarm's fuzz to cut through.

Magnatone Starlite 1x8 Combo

Push the Starlite 1x8's sparkling, harmonic clean voice with the Swarm's own experimental fuzz and the chime turns into chaos.