Amps that pair well with the Beetronics Swarm

Feed the Beekeeper's chimey, sagging clean platform with the Swarm and the fuzz gets a vintage compression to lean into.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The Swarm's experimental, modulated fuzz gives the Cub V's chimey British headroom a genuinely strange texture to work with.

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Push the Singleman's organic, harmonic crunch with the Swarm's own experimental fuzz and the saturation compounds fast.

Comes later in the signal chain

The Bronco TAN's articulate, balanced midrange gives the Swarm's experimental fuzz a durable amp voice to push into.

Comes later in the signal chain

On a bright hybrid-tube stage rig like the Fusion 500, the Swarm's fuzz harmonics stay clear instead of turning to mush.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Beetronics Swarm stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

The transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in

Comes later in the signal chain

Push the AM Standard's natural, vocal-forward clean voice with the Swarm's own experimental fuzz and the two compound fast.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Beetronics Swarm layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

Into the Studio 10's British, midrange-forward recording tone, the Swarm's experimental fuzz has real amp character to push into.

Comes later in the signal chain

At bedroom and rehearsal volumes, the Richter RB2 still stays clear enough for the Swarm's fuzz to cut through.

Comes later in the signal chain

The transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in

Comes later in the signal chain

The Vintage Deluxe's glassy, touch-sensitive sag gives the Swarm's experimental fuzz a genuinely dynamic amp voice.

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Beetronics Swarm layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Comes later in the signal chain

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

The transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in

Comes later in the signal chain