Amps that pair well with the Beetronics Swarm
← everything about the Beetronics Swarm
All 123 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Magnatone Starlite 1x8 Combo
Magnatone
28% matchPush the Starlite 1x8's sparkling, harmonic clean voice with the Swarm's own experimental fuzz and the chime turns into chaos.
Comes later in the signal chain
Magnatone Kingston
Magnatone
28% matchThe transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Comes later in the signal chain
Dr. Z Amplification Z-Wreck Head
amplifier
28% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Laney VH100R
Laney
28% matchRun Beetronics Swarm into that transparent platform and it finally leans toward fuzzy
Comes later in the signal chain
Dr. Z Maz 38
Dr Z
28% matchThe transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Comes later in the signal chain
Gibson GA-40
Gibson
28% matchThe transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Comes later in the signal chain
Laney LX120-RT
Laney
28% matchThe transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Comes later in the signal chain
Hiwatt Bulldog 30 Combo
Hiwatt
28% matchInto a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing
Comes later in the signal chain
Roland AC-33
Roland
28% matchInto a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing
Comes later in the signal chain
Marshall 2245 JTM45 MK II Reissue 2-Channel 30-Watt
Marshall
28% matchThe transparent tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Comes later in the signal chain
Hiwatt TB20/10 MkIV Head
Hiwatt
28% matchBeetronics Swarm leans this high headroom tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Hiwatt T20/10
Hiwatt
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Orange Crush 35RT
Orange
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Beetronics Swarm for more fuzzy on top
Comes later in the signal chain
Fender Bassman AB165 Amp
amplifier
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Hiwatt tb40
Hiwatt
27% matchInto a high headroom tone, Beetronics Swarm brings a pull toward fuzzy that's missing
Comes later in the signal chain
Hiwatt Custom 20/40 'Studio/Stage' Head
Hiwatt
27% matchThe high headroom tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Comes later in the signal chain
Roland JC-60
Roland
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Marshall 2245 JTM45 Head
Marshall
27% matchInto Marshall 2245 JTM45 Head, Beetronics Swarm is right at home: it's built around a clean amp's front end
Comes later in the signal chain
Orange Crush Acoustic 30
Orange
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Blackstar Artisan 30H Head
Blackstar
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Fender Quad Reverb
Fender
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Hiwatt DR504 Combo 1x12
Hiwatt
27% matchBeetronics Swarm leans this high headroom tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Music Man 410 Sixty Five
Music Man
27% matchBeetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes later in the signal chain
Fender Acoustic Jr Combo Amp
Fender
27% matchgain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)
Run Beetronics Swarm into that low gain platform and it finally leans toward fuzzy
Comes later in the signal chain