Amps that pair well with the Beetronics Swarm

Mesa/Boogie Triple Rectifier

The Triple Rectifier's clean-boost channel gives the Swarm's modulated fuzz textures real headroom to push into.

1959 Fender Tweed Deluxe

The Tweed Deluxe's thick, woody breakup gives the Swarm's modulated fuzz a warm vintage amp voice to push into.

Marshall Bluesbreaker

Stack the Swarm's modulated fuzz in front of the Bluesbreaker's own round overdrive for something stranger than either pedal gives you alone.

Park P50 Classic

The P50 is built as a pedal platform — the Swarm's modulated fuzz gives it something stranger than its own British crunch.

Marshall JTM45 45W Tube Guitar Amp Head

The Swarm's modulated fuzz gives the JTM45's sweet, warm breakup somewhere weirder and more psychedelic to go.

PRS Archon

The Archon's modern, hard-rock gain gives the Swarm's modulated fuzz textures a heavier amp voice to layer onto.

Bad Cat Cub

Push the Cub's chiming clean with the Swarm's thick fuzz and the harmonics bloom instead of turning to mush.

Revv Generator 100P MkIII 3-Channel Head

The Generator 100P's modern, high-gain clarity gives the Swarm's modulated fuzz textures a heavier amp voice to layer onto.

Divided by 13 JRT 9/15

The JRT's dynamic, high-headroom clean gives the Swarm's experimental fuzz room to bloom instead of choking on amp breakup.

Ampeg SVT-CL

The SVT-CL's tube growl and compression push the Swarm's modulated fuzz textures into a heavier bass voice.

Revv Generator 100R MkIII 3-Channel Head

The Swarm's modulated fuzz gives the 100R's already-liquid metal distortion a stranger, more experimental edge.

Port City Pearl 50

Push the Pearl 50's clean, expressive headroom with the Swarm's modulated fuzz and it breaks up into something psychedelic instead of just loud.

Mesa Boogie Mark Five:25 1x12 Combo

Push the Mark Five:25's high-gain lead channel with the Swarm's own experimental fuzz and the two compound into real chaos.

Marshall Origin 20 Combo

The Origin 20's gigging-ready tube crunch gives the Swarm's modulated fuzz textures a driven amp voice to layer onto.

1976 Marshall 1959 Super Lead

The Swarm's experimental, modulated fuzz gives the '76 Super Lead's raw British breakup a genuinely strange new texture to work with.

Peavey Decade Too

The Swarm's modulated fuzz gives the Decade Too's simple bedroom clean somewhere weirder to go than its own limited headroom allows.

Suhr Bella 1X12 Hand wired Combo New

Built as a pedal platform, the Bella's lush breakup hands the Swarm's fuzz plenty of musical color to push through.

Supro 1612RT Amulet 15W 1x10 Combo

That raw, garage-blues breakup on the Amulet gives the Swarm's fuzz a vintage roots amp to snarl through.

Amplified Nation Dirty Wonderland

The Swarm's experimental, modulated fuzz gives the Dirty Wonderland's spacious, dirty breakup a genuinely strange new texture.

3rd Power Dragon 25 112 Combo

Stack the Swarm's psychedelic fuzz into the Dragon 25's already-sagging Plexi-style saturation for a thicker, more chaotic breakup.

Traynor SB106

The Traynor SB106's clean, practice-oriented bass EQ gives the Swarm's modulated fuzz textures a straightforward platform.

Vox AC-50

Into the AC-50's rich, punchy tube clarity, the Swarm's experimental fuzz has plenty of amp character to push into.

Peavey Invective 120

Into the Invective's tight, gated metal channel, the Swarm's experimental fuzz has real clarity to push into rather than mud.

Carr Viceroy Combo 2x12" Black

Into the Viceroy's own crunch and saturation, the Swarm just adds another gain stage that pushes it further explosive.