Amps that pair well with the Behringer Chorus Symphony

Peavey MiniMAX

The Chorus Symphony's lush, liquid modulation adds shimmer to the MiniMAX's punchy solid-state voice without softening its presence.

PRS HX 50 Head

Where this leans warm, PRS HX 50 Head answers back bright

Fender Deluxe Reverb

Run Fender Deluxe Reverb after it and the warm edge settles into something more bright

Peavey MiniMAX II Bass Head

Behringer Chorus Symphony's smooth voice goes after Peavey MiniMAX II Bass Head in the signal chain — it's not there to compete with Peavey MiniMAX II Bass Head's own tight character

Ampeg PF-50T

Run the Chorus Symphony's liquid, jazz-voiced modulation after the PF-50T's own warm midrange settles, so the chorus moves a defined tone.

Gallien-Krueger MB115MK2

Behringer Chorus Symphony's smooth voice goes after Gallien-Krueger MB115MK2 in the signal chain — it's not there to compete with Gallien-Krueger MB115MK2's own tight character

Boss Waza-Air

Behringer Chorus Symphony's smooth voice goes after Boss Waza-Air in the signal chain — it's not there to compete with Boss Waza-Air's own bright character

EBS Magni 502 1x15"

Keep Behringer Chorus Symphony after EBS Magni 502 1x15" in the signal chain, clear of EBS Magni 502 1x15"'s own gain stage

Soldano 4x12 Straight Classic Cabinet (Purple)

Run Behringer Chorus Symphony after Soldano 4x12 Straight Classic Cabinet (Purple) in the signal chain, clear of Soldano 4x12 Straight Classic Cabinet (Purple)'s own gain stage

Winfield Typhoon Combo

Put Behringer Chorus Symphony after Winfield Typhoon Combo in the signal chain, clear of Winfield Typhoon Combo's own gain stage

Ceriatone TW Expression Head

Run Behringer Chorus Symphony after Ceriatone TW Expression Head in the signal chain, clear of Ceriatone TW Expression Head's own gain stage

Ceriatone Dizzy 30

Behringer Chorus Symphony's smooth voice goes after Ceriatone Dizzy 30 in the signal chain — it's not there to compete with Ceriatone Dizzy 30's own glassy character