Pedals that stack with the Behringer Chorus Symphony

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Chorus Symphony's liquid, warm chorus follows the SansAmp's analog-voiced drive for added stereo width.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run EarthQuaker Devices Chelsea after it and the warm edge settles into something more bright

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Behringer Chorus Symphony after TC Electronic Hall of Fame 2 in the signal chain, where it won't crowd TC Electronic Hall of Fame 2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Behringer Chorus Symphony after Strymon El Capistan dTape Echo in the signal chain, where it won't crowd Strymon El Capistan dTape Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Behringer Chorus Symphony's analog warmth voice goes after Sonicake Factory Acoustic Preamp in the signal chain — it's not there to compete with Sonicake Factory Acoustic Preamp's own bright character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Markbass MB Instrument PRE's bright voice out front: Behringer Chorus Symphony goes after Markbass MB Instrument PRE in the signal chain so its analog warmth voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Behringer Chorus Symphony after Pigtronix PHI Echolution Delay in the signal chain, where it won't crowd Pigtronix PHI Echolution Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Behringer Chorus Symphony after Benson Amps Tap Tempo in the signal chain, where it won't crowd Benson Amps Tap Tempo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Behringer Chorus Symphony after Mooer Grey Faze Fuzz in the signal chain, clear of Mooer Grey Faze Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Behringer Chorus Symphony in the signal chain, where it won't crowd Behringer Chorus Symphony — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Behringer Chorus Symphony's analog warmth voice out front: Neunaber Wet Mono Reverb Pedal goes after Behringer Chorus Symphony in the signal chain so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Behringer Chorus Symphony after EarthQuaker Devices Tone Job in the signal chain, clear of EarthQuaker Devices Tone Job's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Behringer Chorus Symphony after Catalinbread Elements Fuzz in the signal chain, clear of Catalinbread Elements Fuzz's own gain stage

Comes earlier in the signal chain