The Chase Bliss Automatone CXM 1978 is a Chase Bliss Audio reverb pedal. Close alternatives include the Keeley Realizer Reverberator Chromalux 2K24 Custom Shop and the UA> Heavenly. It pairs well with the Dumble Steel String Singer and the Marshall JTM45 45W Tube Guitar Amp Head.
Chase Bliss Automatone CXM 1978
Chase Bliss Audio · pedal
Chase Bliss Automatone CXM 1978 is a motorized-fader studio reverb pedal built with Meris, modeled on the vintage Lexicon 224 digital reverb, with Hall, Room and Plate algorithms across three selectable fidelity modes. Standard mode targets the authentic late-1970s 24kHz/16-bit character of the original hardware, HiFi mode runs at 48kHz/32-bit for a cleaner modern sound, and a lo-fi mode uses higher pre-delay for gritty, filtered textures. Room gives a lively, grounded sense of natural space, Hall offers slower-building, richer waves, and Plate acts as a dense, flexible glue reverb. It suits studio and stage players wanting a genuinely vintage-flavored digital reverb rather than a pristine modern algorithm, with motorized Automatone faders for instant preset recall.
What stands out
“Chase Bliss Automatone CXM 1978 is a motorized-fader studio reverb pedal built with Meris, modeled on the vintage Lexicon 224 digital reverb, with Hall, Room and Plate algorithms across three selectable fidelity modes”
— from the listing
“Standard mode targets the authentic late-1970s 24kHz/16-bit character of the original hardware, HiFi mode runs at 48kHz/32-bit for a cleaner modern sound, and a lo-fi mode uses higher pre-delay for gritty, filtered textures”
— from the listing
“Some reviewers found the improvement over other high-end reverbs modest relative to price, while others specifically praised it for restoring flavor they felt from cleaner modern digital reverbs”
— from the reviews
“it suits studio and stage players wanting a genuinely vintage-flavored digital reverb”
— from the listing
“Its main use case is studio recording and stage rigs where a distinctly vintage-voiced Room, Hall or Plate reverb is wanted over the cleaner sound of pedals like Strymon or Eventide units”
— from the community notes
- reverb
- digital
- modern
- high end
- delay
- stage
- studio
- gritty
Good for
- Live
- Studio
Genres the Chase Bliss Automatone CXM 1978 is commonly used in
- Alternative Rock
- Ambient
- Post Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Lo Fi
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Chase Bliss Automatone CXM 1978
Dumble Steel String Singer
Dumble
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Dumble Steel String Singer answers back smooth
Comes earlier in the signal chain
Marshall JTM45 45W Tube Guitar Amp Head
amplifier
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Marshall JTM45 45W Tube Guitar Amp Head after it and the bright edge settles into something more warm
Comes earlier in the signal chain
Orange Little Bass Thing
Orange
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Chase Bliss Automatone CXM 1978 in Orange Little Bass Thing's effects loop, clear of Orange Little Bass Thing's own gain stage
Comes earlier in the signal chain
Orange Terror Bass
Orange
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Chase Bliss Automatone CXM 1978's pristine voice goes in Orange Terror Bass's effects loop — it's not there to compete with Orange Terror Bass's own warm character
Comes earlier in the signal chain
Orange BT1000H Terror Bass 1000-Watt Bass Amp
Orange
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Chase Bliss Automatone CXM 1978 in Orange BT1000H Terror Bass 1000-Watt Bass Amp's effects loop, clear of Orange BT1000H Terror Bass 1000-Watt Bass Amp's own gain stage
Comes earlier in the signal chain
Ampeg RB-112
Ampeg
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Chase Bliss Automatone CXM 1978 in Ampeg RB-112's effects loop, clear of Ampeg RB-112's own gain stage
Comes earlier in the signal chain
Ampeg V-4B 100w Bass Head
Ampeg
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Chase Bliss Automatone CXM 1978 in Ampeg V-4B 100w Bass Head's effects loop, clear of Ampeg V-4B 100w Bass Head's own gain stage
Comes earlier in the signal chain
Aguilar Tone Hammer 500 Bass Amp 30th
Aguilar
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Chase Bliss Automatone CXM 1978's pristine voice goes in Aguilar Tone Hammer 500 Bass Amp 30th's effects loop — it's not there to compete with Aguilar Tone Hammer 500 Bass Amp 30th's own warm character
Comes earlier in the signal chain
Pedals that stack with the Chase Bliss Automatone CXM 1978
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Chase Bliss Automatone CXM 1978 in the signal chain, where it won't crowd Chase Bliss Automatone CXM 1978
Comes earlier in the signal chain
Mojo Hand FX Nebula Redux
Mojo Hand Fx
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Chase Bliss Automatone CXM 1978's pristine voice out front: Mojo Hand FX Nebula Redux goes after Chase Bliss Automatone CXM 1978 in the signal chain so its warm voice doesn't muddy it
Comes earlier in the signal chain
Wampler Latitude Deluxe Tremolo
Wampler
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Chase Bliss Automatone CXM 1978 after Wampler Latitude Deluxe Tremolo in the signal chain, where it won't crowd Wampler Latitude Deluxe Tremolo
Comes earlier in the signal chain
TC Electronic SCF Gold Stereo Chorus
TC Electronic
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Chase Bliss Automatone CXM 1978 after TC Electronic SCF Gold Stereo Chorus in the signal chain, where it won't crowd TC Electronic SCF Gold Stereo Chorus
Comes earlier in the signal chain
Caroline Guitar Company Somersault
Caroline Guitar Company
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Chase Bliss Automatone CXM 1978 after Caroline Guitar Company Somersault in the signal chain, where it won't crowd Caroline Guitar Company Somersault
Comes earlier in the signal chain
Greer Mizuki blue
Greer
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes earlier in the signal chain
Strymon Zelzah -Dimensional Phaser
Strymon
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Chase Bliss Automatone CXM 1978 after Strymon Zelzah -Dimensional Phaser in the signal chain, where it won't crowd Strymon Zelzah -Dimensional Phaser
Comes earlier in the signal chain
Catalinbread SFT
Catalinbread
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Catalinbread SFT answers back warm
Comes earlier in the signal chain
See all 119 pedals that pair with the Chase Bliss Automatone CXM 1978 →
Alternatives
Keeley Realizer Reverberator Chromalux 2K24 Custom Shop
Keeley
61% similarityShared character: high end, reverb
UA> Heavenly
Universal Audio
58% similarityShared character: mix, reverb, studio
Strymon blueSky Reverberator
pedal
58% similarityShared character: digital, mix, warm
Neunaber Wet Mono Reverb Pedal
pedal
56% similarityShared character: high end, digital, mix
TC Electronic Hall of Fame 2
TC Electronic
55% similarityShared character: reverb, digital, mix
Dophix Leonardo Compressor
Dophix
53% similarityShared character: reverb
Walrus Audio Lore
Walrus Audio
50% similarityShared character: delay, mix, reverb
Fjord Fuzz Mime
Fjord Fuzz
49% similarityShared character: mix, warm, reverb
Mooer Ocean Machine 2 Devin Townsend Signature
Mooer
49% similarityShared character: digital, delay, reverb
Universal Audio Evermore Delay
Universal Audio
47% similarityShared character: high end, reverb, studio
Boss RV-5 Digital Reverb
pedal
44% similarityShared character: digital, reverb
Old Blood Noise Endeavors Obne Dark Star
Old Blood Noise Endeavors
44% similarityShared character: delay, reverb
See all alternatives to the Chase Bliss Automatone CXM 1978 (cheaper + boutique) →
Questions people ask
What are good alternatives to the Chase Bliss Automatone CXM 1978?+
The closest matches in character are the Keeley Realizer Reverberator Chromalux 2K24 Custom Shop, the UA> Heavenly, the Strymon blueSky Reverberator.
What pairs well with the Chase Bliss Automatone CXM 1978?+
Strong matches from rig and tone-complementarity evidence: Dumble Steel String Singer, Marshall JTM45 45W Tube Guitar Amp Head, Orange Little Bass Thing — Where this leans bright, Dumble Steel String Singer answers back smooth.