Pedals that stack with the Chase Bliss Automatone CXM 1978

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Chase Bliss Automatone CXM 1978 in the signal chain, where it won't crowd Chase Bliss Automatone CXM 1978

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978's pristine voice out front: Mojo Hand FX Nebula Redux goes after Chase Bliss Automatone CXM 1978 in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Wampler Latitude Deluxe Tremolo in the signal chain, where it won't crowd Wampler Latitude Deluxe Tremolo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after TC Electronic SCF Gold Stereo Chorus in the signal chain, where it won't crowd TC Electronic SCF Gold Stereo Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Caroline Guitar Company Somersault in the signal chain, where it won't crowd Caroline Guitar Company Somersault

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Greer Mizuki blue leans warm right where the bright tone needs it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Strymon Zelzah -Dimensional Phaser in the signal chain, where it won't crowd Strymon Zelzah -Dimensional Phaser

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Catalinbread SFT answers back warm

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Catalinbread StarCrash Valcoder in the signal chain, where it won't crowd Catalinbread StarCrash Valcoder

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Crazy Tube Circuits Golden Ratio's tight voice out front: Chase Bliss Automatone CXM 1978 goes after Crazy Tube Circuits Golden Ratio in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Behringer Chorus Symphony in the signal chain, where it won't crowd Behringer Chorus Symphony

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Walrus Audio Monumental Stereo Harmonic Tremolo in the signal chain — it's not there to compete with Walrus Audio Monumental Stereo Harmonic Tremolo's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Singletone Malibu in the signal chain, where it won't crowd Singletone Malibu

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Tech 21 SansAmp Bass Driver DI V2 in the signal chain, clear of Tech 21 SansAmp Bass Driver DI V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Systech Harmonic Energizer in the signal chain, clear of Systech Harmonic Energizer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Anarchy Audio Flutterby Tremolo in the signal chain — it's not there to compete with Anarchy Audio Flutterby Tremolo's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Browne Amplification Sshac Sky Snake Hawk Attack Chorus in the signal chain, where it won't crowd Browne Amplification Sshac Sky Snake Hawk Attack Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after MXR EVH117 Flanger in the signal chain, where it won't crowd MXR EVH117 Flanger

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Citadel Planetary Phase in the signal chain, where it won't crowd Citadel Planetary Phase

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Strymon Ola dBucket Chorus in the signal chain, where it won't crowd Strymon Ola dBucket Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Behringer BM-18M Cluster Box in the signal chain, where it won't crowd Behringer BM-18M Cluster Box

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Browne Amplification Sshac in the signal chain — it's not there to compete with Browne Amplification Sshac's own analog warmth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Caroline Guitar Company Somersault LoFi Modulation in the signal chain — it's not there to compete with Caroline Guitar Company Somersault LoFi Modulation's own modulated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Caroline Guitar Company Somersault Lo-Fi Modulator in the signal chain, where it won't crowd Caroline Guitar Company Somersault Lo-Fi Modulator

Comes earlier in the signal chain