Pedals that stack with the Chase Bliss Automatone CXM 1978

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Providence ADC-4 Anadime Analog Chorus in the signal chain, where it won't crowd Providence ADC-4 Anadime Analog Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Roland CE-5 Chorus Ensemble in the signal chain, where it won't crowd Roland CE-5 Chorus Ensemble

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Dunlop Blue Hippo Optical Tremolo in the signal chain — it's not there to compete with Dunlop Blue Hippo Optical Tremolo's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Spaceman Aurora Analog Flanger's analog warmth voice out front: Chase Bliss Automatone CXM 1978 goes after Spaceman Aurora Analog Flanger in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after JAM Pedals RetroVibe mk.2 in the signal chain, where it won't crowd JAM Pedals RetroVibe mk.2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Aqueduct Eight Modulation Modes's modulated voice out front: Chase Bliss Automatone CXM 1978 goes after EarthQuaker Devices Aqueduct Eight Modulation Modes in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Red Witch Ivy in the signal chain, where it won't crowd Red Witch Ivy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Cusack Music Tap-A-Whirl V3 in the signal chain — it's not there to compete with Cusack Music Tap-A-Whirl V3's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Tone City Angel Wing Chorus TC-T11 in the signal chain, where it won't crowd Tone City Angel Wing Chorus TC-T11

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Mr. Black Analog chorus vibrato deluxe in the signal chain, where it won't crowd Mr. Black Analog chorus vibrato deluxe

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after JP Labs Cosmic Choir in the signal chain, where it won't crowd JP Labs Cosmic Choir

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Cusack Music Tap A Whirl V2 in the signal chain, where it won't crowd Cusack Music Tap A Whirl V2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Maxon PAC9 Pure Analog Chorus in the signal chain — it's not there to compete with Maxon PAC9 Pure Analog Chorus's own analog warmth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Walrus Audio Monument V2 in the signal chain, where it won't crowd Walrus Audio Monument V2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after SolidGoldFX NU-33 in the signal chain — it's not there to compete with SolidGoldFX NU-33's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Crazy Tube Circuits Golden Ratio V2 in the signal chain — it's not there to compete with Crazy Tube Circuits Golden Ratio V2's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after PastFx 80/A Flanger MN3007 in the signal chain, where it won't crowd PastFx 80/A Flanger MN3007

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after ThorpyFX Deep Oggin V2 Chorus/Vibrato in the signal chain — it's not there to compete with ThorpyFX Deep Oggin V2 Chorus/Vibrato's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Behringer ADI21 V-Tone Acoustic in the signal chain, where it won't crowd Behringer ADI21 V-Tone Acoustic

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Black Rabbit Little Earthquakes's warm voice out front: Chase Bliss Automatone CXM 1978 goes after Black Rabbit Little Earthquakes in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after TC Electronic 3rd Dimension Chorus in the signal chain, where it won't crowd TC Electronic 3rd Dimension Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Subdecay Vagabond Tremolo in the signal chain, where it won't crowd Subdecay Vagabond Tremolo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after JAM Pedals Waterfall in the signal chain, where it won't crowd JAM Pedals Waterfall

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Dophix THE Vitruvian MAN chorus/phaser in the signal chain, where it won't crowd Dophix THE Vitruvian MAN chorus/phaser

Comes earlier in the signal chain