Pedals that stack with the Chase Bliss Automatone CXM 1978

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Dunlop MXR M148 Micro Chorus in the signal chain, where it won't crowd Dunlop MXR M148 Micro Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Donner Tutti Love in the signal chain, where it won't crowd Donner Tutti Love

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after CMATMods Tremoglo in the signal chain, where it won't crowd CMATMods Tremoglo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Orange - Vintage Distortion in the signal chain — it's not there to compete with Orange - Vintage Distortion's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Mooer Spark Chorus in the signal chain — it's not there to compete with Mooer Spark Chorus's own modulated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Mooer Ensemble Queen in the signal chain, where it won't crowd Mooer Ensemble Queen

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep DigiTech DOD Gunslinger Mosfet Distortion's harmonically rich voice out front: Chase Bliss Automatone CXM 1978 goes after DigiTech DOD Gunslinger Mosfet Distortion in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Mad Professor MP-Aod in the signal chain, clear of Mad Professor MP-Aod's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after EarthQuaker Devices Blumes V1 Low Signal Shredder in the signal chain, clear of EarthQuaker Devices Blumes V1 Low Signal Shredder's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Rarebird effects Transformer Preamp 63 in the signal chain, clear of Rarebird effects Transformer Preamp 63's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Pigtronix Philosopher's Rock in the signal chain — it's not there to compete with Pigtronix Philosopher's Rock's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Beetronics Overhive Custom Cross Path in the signal chain, clear of Beetronics Overhive Custom Cross Path's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Mad Professor Simble Predriver in the signal chain, clear of Mad Professor Simble Predriver's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after ThorpyFX Fat General V2 Parallel Compressor in the signal chain — it's not there to compete with ThorpyFX Fat General V2 Parallel Compressor's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Walrus Audio WAL-385/MK2 #BK in the signal chain, clear of Walrus Audio WAL-385/MK2 #BK's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Mojo Hand FX Speakeasy in the signal chain, clear of Mojo Hand FX Speakeasy's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Friedman Motor City Drive Overdrive's warm voice out front: Chase Bliss Automatone CXM 1978 goes after Friedman Motor City Drive Overdrive in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Black Cat Mini Trem in the signal chain, where it won't crowd Black Cat Mini Trem

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Dr. Green The tourniquet in the signal chain, where it won't crowd Dr. Green The tourniquet

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Greer Amps White Tomahawk Deluxe Drive's harmonically rich voice out front: Chase Bliss Automatone CXM 1978 goes after Greer Amps White Tomahawk Deluxe Drive in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Walrus Audio Polychrome in the signal chain, where it won't crowd Walrus Audio Polychrome

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Death By Audio Germanium Filter in the signal chain, clear of Death By Audio Germanium Filter's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Riff Instant Tone Sanitizer's clean boost voice out front: Chase Bliss Automatone CXM 1978 goes after Alexander Pedals Riff Instant Tone Sanitizer in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Pigtronix Fat Drive's full voice out front: Chase Bliss Automatone CXM 1978 goes after Pigtronix Fat Drive in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain