Pedals that stack with the Chase Bliss Automatone CXM 1978

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after ThorpyFX PEA MKII Germanium in the signal chain, clear of ThorpyFX PEA MKII Germanium's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after One Control Anodized Brown Distortion in the signal chain, clear of One Control Anodized Brown Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after One Control Marigold Orange Overdrive in the signal chain, clear of One Control Marigold Orange Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after TC Electronic VPD-1 Vintage Pre-Drive in the signal chain, clear of TC Electronic VPD-1 Vintage Pre-Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Donner Dark Mouse in the signal chain, clear of Donner Dark Mouse's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after NUX Steel Singer in the signal chain, clear of NUX Steel Singer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Blumes Bass Overdrive's mid-forward voice out front: Chase Bliss Automatone CXM 1978 goes after EarthQuaker Devices Blumes Bass Overdrive in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after T Rex T-Rex Mudhoney II in the signal chain, clear of T Rex T-Rex Mudhoney II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Free The Tone Red Jasper V2 in the signal chain — it's not there to compete with Free The Tone Red Jasper V2's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after NuX 6ixty5ive Overdrive Effektpedal in the signal chain, clear of NuX 6ixty5ive Overdrive Effektpedal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ThorpyFX The Old Timer's warm voice out front: Chase Bliss Automatone CXM 1978 goes after ThorpyFX The Old Timer in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Eventide Riptide in the signal chain, clear of Eventide Riptide's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Beetronics Overhive Custom Skulls in the signal chain — it's not there to compete with Beetronics Overhive Custom Skulls's own medium gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Red Witch Scarlett Overdrive in the signal chain, clear of Red Witch Scarlett Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after TC Electronic El Mocambo Overdrive in the signal chain — it's not there to compete with TC Electronic El Mocambo Overdrive's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic MojoMojo Paul Gilbert Edition's harmonically rich voice out front: Chase Bliss Automatone CXM 1978 goes after TC Electronic MojoMojo Paul Gilbert Edition in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after TC Electronic El Cambo Overdrive in the signal chain, clear of TC Electronic El Cambo Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Tone City Nobleman in the signal chain, clear of Tone City Nobleman's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after TC Electronic Vintage Overdrive in the signal chain, clear of TC Electronic Vintage Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Tone City Mandragora in the signal chain, clear of Tone City Mandragora's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tone City Durple Overdrive's warm voice out front: Chase Bliss Automatone CXM 1978 goes after Tone City Durple Overdrive in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Carl Martin Atlantic Chorus in the signal chain, where it won't crowd Carl Martin Atlantic Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Overdrive/Preamp's saturated voice out front: Chase Bliss Automatone CXM 1978 goes after JHS Overdrive/Preamp in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Tone City Black Tea in the signal chain — it's not there to compete with Tone City Black Tea's own warm character

Comes earlier in the signal chain