Pedals that stack with the Chase Bliss Automatone CXM 1978

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Matthews Effects The Pocket Drive Overdrive Boost in the signal chain, clear of Matthews Effects The Pocket Drive Overdrive Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Tone City Lil' Heat Overdrive in the signal chain, clear of Tone City Lil' Heat Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after Beetronics Overhive Medium Gain Overdrive in the signal chain, clear of Beetronics Overhive Medium Gain Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Death By Audio Micro Harmonic Transformer in the signal chain — it's not there to compete with Death By Audio Micro Harmonic Transformer's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after T-Rex Fat Shuga in the signal chain, clear of T-Rex Fat Shuga's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Walrus Audio Eons Five-State Fuzz in the signal chain — it's not there to compete with Walrus Audio Eons Five-State Fuzz's own silicon character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after DSM Silver Linings Drive Preamp Engine in the signal chain, clear of DSM Silver Linings Drive Preamp Engine's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Crazy Tube Circuits Orama in the signal chain, clear of Crazy Tube Circuits Orama's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after NuX String Singer Overdrive in the signal chain — it's not there to compete with NuX String Singer Overdrive's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep One Control BJF Series Strawberry Overdrive's harmonically rich voice out front: Chase Bliss Automatone CXM 1978 goes after One Control BJF Series Strawberry Overdrive in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after NUX 59 Bass Guy in the signal chain, clear of NUX 59 Bass Guy's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after One Control Stone Bramble Overdrive in the signal chain, clear of One Control Stone Bramble Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after Crazy Tube Circuits Constellation in the signal chain, clear of Crazy Tube Circuits Constellation's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ThorpyFX The fat general's warm voice out front: Chase Bliss Automatone CXM 1978 goes after ThorpyFX The fat general in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after NuX NRO-6 Diamond 63 Overdrive Effektpedal in the signal chain, clear of NuX NRO-6 Diamond 63 Overdrive Effektpedal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Spaceman Sputnik 1's germanium voice out front: Chase Bliss Automatone CXM 1978 goes after Spaceman Sputnik 1 in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after One Control Golden Acorn Overdrive Special in the signal chain, clear of One Control Golden Acorn Overdrive Special's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Providence SOV-2 Stampede OverDrive in the signal chain, clear of Providence SOV-2 Stampede OverDrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Chase Bliss Automatone CXM 1978 after J. Rockett Mark Sampson Max in the signal chain, clear of J. Rockett Mark Sampson Max's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tone City King of Blues's warm voice out front: Chase Bliss Automatone CXM 1978 goes after Tone City King of Blues in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after One Control Super Apricot OD in the signal chain, clear of One Control Super Apricot OD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 after JAM Pedals Eureka in the signal chain, clear of JAM Pedals Eureka's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Chase Bliss Automatone CXM 1978's pristine voice goes after Providence RED Rock OD ROD-1 in the signal chain — it's not there to compete with Providence RED Rock OD ROD-1's own harmonically rich character

Comes earlier in the signal chain