Pedals that stack with the Binson Echorec Delay
← everything about the Binson Echorec Delay
All 57 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Cts Crazy Tube Circuits Memphis
Cts
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Cts Crazy Tube Circuits Memphis in the signal chain, where it won't crowd Cts Crazy Tube Circuits Memphis
Comes earlier in the signal chain
Behringer PB100 Preamp Booster
Behringer
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Behringer PB100 Preamp Booster in the signal chain, clear of Behringer PB100 Preamp Booster's own gain stage
Comes earlier in the signal chain
Spaceman Aurora Analog Flanger Multi Mode Custom
Spaceman
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Spaceman Aurora Analog Flanger Multi Mode Custom in the signal chain, where it won't crowd Spaceman Aurora Analog Flanger Multi Mode Custom
Comes earlier in the signal chain
Tru-Fi Ghost Vibe
Tru Fi
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay after Tru-Fi Ghost Vibe in the signal chain, where it won't crowd Tru-Fi Ghost Vibe
Comes earlier in the signal chain
Spaceman Redstone
Spaceman
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay after Spaceman Redstone in the signal chain, clear of Spaceman Redstone's own gain stage
Comes earlier in the signal chain
Amptweaker Tight Drive
Amptweaker
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Amptweaker Tight Drive in the signal chain, clear of Amptweaker Tight Drive's own gain stage
Comes earlier in the signal chain
Free The Tone Overdriveland ODL-1-CS
Free The Tone
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay after Free The Tone Overdriveland ODL-1-CS in the signal chain, clear of Free The Tone Overdriveland ODL-1-CS's own gain stage
Comes earlier in the signal chain
Rodenberg LDP Overdrive/Clean Boost
Rodenberg
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Rodenberg LDP Overdrive/Clean Boost in the signal chain, clear of Rodenberg LDP Overdrive/Clean Boost's own gain stage
Comes earlier in the signal chain
Digitech DOD 410 Bifet Boost
Digitech
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Digitech DOD 410 Bifet Boost in the signal chain, clear of Digitech DOD 410 Bifet Boost's own gain stage
Comes earlier in the signal chain
Catalinbread Tremol8
Catalinbread
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Catalinbread Tremol8 in the signal chain, where it won't crowd Catalinbread Tremol8
Comes earlier in the signal chain
Electronic Audio Experiments Halberd v2
Electronic Audio Experiments
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay after Electronic Audio Experiments Halberd v2 in the signal chain, clear of Electronic Audio Experiments Halberd v2's own gain stage
Comes earlier in the signal chain
Warm Audio Tube Squealer
Warm Audio
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay after Warm Audio Tube Squealer in the signal chain, clear of Warm Audio Tube Squealer's own gain stage
Comes earlier in the signal chain
Catalinbread SuperCharged Overdrive
Catalinbread
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay after Catalinbread SuperCharged Overdrive in the signal chain, clear of Catalinbread SuperCharged Overdrive's own gain stage
Comes earlier in the signal chain
Mooer Micro PreAmp 010 (Two Rock Coral)
Mooer
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay after Mooer Micro PreAmp 010 (Two Rock Coral) in the signal chain, clear of Mooer Micro PreAmp 010 (Two Rock Coral)'s own gain stage
Comes earlier in the signal chain
Revv G2 (Green Channel Drive)
Revv
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay after Revv G2 (Green Channel Drive) in the signal chain, clear of Revv G2 (Green Channel Drive)'s own gain stage
Comes earlier in the signal chain
Electro-Harmonix Lizard Queen Octave/Fuzz
Electro-Harmonix
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Electro-Harmonix Lizard Queen Octave/Fuzz in the signal chain, clear of Electro-Harmonix Lizard Queen Octave/Fuzz's own gain stage
Comes earlier in the signal chain
Catalinbread SuperCharged OD
Catalinbread
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Catalinbread SuperCharged OD in the signal chain, clear of Catalinbread SuperCharged OD's own gain stage
Comes earlier in the signal chain
Mad Professor Supreme Matt Schofield Overdrive
Mad Professor
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Mad Professor Supreme Matt Schofield Overdrive in the signal chain, clear of Mad Professor Supreme Matt Schofield Overdrive's own gain stage
Comes earlier in the signal chain
NuX Horseman Gold 2 in 1 Overdrive
Nux
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay after NuX Horseman Gold 2 in 1 Overdrive in the signal chain, clear of NuX Horseman Gold 2 in 1 Overdrive's own gain stage
Comes earlier in the signal chain
Chase Bliss Warped Vinyl
Chase Bliss Audio
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay after Chase Bliss Warped Vinyl in the signal chain, where it won't crowd Chase Bliss Warped Vinyl
Comes earlier in the signal chain
Xotic AC Plus
Xotic
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Xotic AC Plus in the signal chain, clear of Xotic AC Plus's own gain stage
Comes earlier in the signal chain
Matthews Effects Aristocrat MOSFET Boost
Matthews Effects
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay after Matthews Effects Aristocrat MOSFET Boost in the signal chain, clear of Matthews Effects Aristocrat MOSFET Boost's own gain stage
Comes earlier in the signal chain
Empress Para EQ DLX
Empress
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay after Empress Para EQ DLX in the signal chain, where it won't crowd Empress Para EQ DLX
Comes earlier in the signal chain
Fender Engager Boost
Fender
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay after Fender Engager Boost in the signal chain, clear of Fender Engager Boost's own gain stage
Comes earlier in the signal chain